Each episode is like a movie, opening in a melodious opera, interpreting the scenery of Oxford and the legend of the characters.
I came to watch this drama, and I was attracted by the first episode. There are only 4 or 5 episodes in a season, I feel like I have a treasure, I am a little reluctant to watch it.
Young Inspector Moss, before the opening of the play, was a loser. He had not completed his studies, died in the army, and was preparing to resign as a police officer, not to mention being lonely and out of place. The most unqualified detective is that he is afraid of looking at the corpse and fainting. He's smart, but not super-intelligent; he's observant, but not seamless, and in the first episode, he's reasoning at the wrong person for the first time. Not being domineering, crushing everyone's aura, being teased by colleagues, being assigned to be on duty by the boss, doing desk work, and not being able to intervene in cases. Such a detective, just as attractive, is it his melancholy temperament, the kindness in his heart, or those cute little actions? Some small details that I like, such as tilting my head and touching the collar before opening awkwardly; I don't know if it's the actor who endowed the characters with these characteristics, or the actor's own characteristics. In this drama, the charm is perfect.
The growth of young people is inseparable from good teachers and friends, and such characters are assigned to him in the play. Thursday and Strange, coincidentally, both have such unusual surnames. In the second episode, I liked Thursday's enlightenment to Morse at the end, "There is something in your heart that the darkness can't touch."
The design of the case is also very interesting. Some murderers who seem to be able to see from the beginning need to be stripped away layer by layer to find the root cause. They will also soften some of the political power struggles at that time, making it more difficult to advance the case. Like an opera, it is sung slowly, with a climax to the curtain call.
The Oxford scenery in the play is also a major attraction. The British style of the 1960s unfolds one by one in front of the camera. With the melodious opera, people seem to be immersed in a cup of fragrant coffee and slowly read a life legend.
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