It didn't take much effort to find it. Mother's mysterious and lonely face, looking diagonally below, above, on the left is a painting by Leonardo da Vinci (not a code), on the right there are two children looking at the barn that is vigorously burning in the rain, in the middle is the side that spans time mirror. The first time I watched this movie, I didn't have a CD player, and I didn't buy this pirated copy. It took great patience to download it after ftp for two days. While watching, he fell asleep. Of course, in the end I watched it all. What I remember deeply is the breeze blowing through the buckwheat fields and the huts burning in the rain. Later, I forgot about this film, vaguely remembering the mental crisis of a middle-aged man and the encounter of two women across time. Still, it's a recurring theme in all the Old Tower films.
So start watching. It started out as a hypnotic documentary, suggesting overcoming aphasia in the face of the world. After the opening, the young mother is sitting on the fence, the brain gate man in "solaris" and "Stalker", turning the path beside the bushes and coming through the light green buckwheat fields.
By the way, I listened to a famous feminist class when I was in school, and I didn't write down the rest. Just write down her about the difference between the Soviet Union and European and American film. She said that European and American films, represented by Kodak, are oil-soluble, while Soviet films are water-soluble. Oil-soluble film, bright color, long storage time; water-soluble film, soft color, strong sense of hierarchy. This shot in "Mirror" is obviously a typical representative of water-soluble film with a strong sense of hierarchy.
Haha, off topic. Seems to be a bit of a fork.
The stranger asked her mother for directions, but she was fascinated by her in the end. The two chatted for a while. The stranger also sat on the fence, but the fence was broken, and the stranger laughed. The mother looked back and saw the child in the hammock. The stranger is leaving. Standing in the buckwheat field, stopped, dark back, small. At this time, a miraculous breeze blew, the first and only wind in "Mirror". Buckwheat fields turn green waves, the footprints of the wind.
I lay on the bed, feeling soft in my heart. It was still cloudy outside, and a breeze was blowing from the balcony window, passing through my feet. Going out from the front balcony, itching. I know, in the disc, it's going to rain soon. However, the rain outside the window did not come down, so it might have to wait until night.
The barn is on fire, the brown-toned film, and the mother returns to the factory in the rain to check for the non-existent error. A group of Spanish orphans, imitating famous bullfighters. Outside the window, it was dark. I fell asleep and woke up again. Pressing the space bar with her foot, a woman, carrying something like a door panel, crossed the street. Now, she can't wear it because I've suspended it. I curled up in a ball, nestled in the quilt. Dry, clean, and asleep.
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