Metaphors about love triangles

Alessia 2022-03-20 09:02:23

Roman Polanski's first feature film is expectedly dull and boring, with only three actors from beginning to end, full of trivial chatter and details of life, and the props and scenes are as concise as a stage play. Fortunately, only an hour and a half, otherwise it will be difficult to hold on. Since the story is really ordinary, and the characters of the three actors are not very infectious, it is difficult to have any emotional touch after watching it, and the only thing that can be memorable is to interpret those symbolic images.

The most crucial image is of course the title. It should be said that this is a very literary title. At a glance, you can see that there is a deep meaning hidden in it. The knife is a weapon used by men to conquer, representing the face and dignity of men. The water is soft and long, but it has the characteristics of women. As the lines in the film roughly say, a knife can cut through thorns in the forest, but it's useless on the water. Therefore, a knife that falls into the water is like a man entering a woman's pocket, and it becomes a useless fighting tool. The rope is a symbol of traction and bondage. It seems that both men are trapped in their own web of love, and they are always led by the woman by the nose. So the title becomes a metaphor for a love triangle between two men and one woman. No matter which side of the two men wins, the woman can reap the benefits.

It should be said that everyone has the desire to conquer. For men, there are two goals, one is to conquer the world, and the other is to conquer women. When two men try to conquer a woman at the same time, the knife in their hands becomes a symbol of mutual enmity. In the film, the two men show off and provoke each other from time to time, just to attract the woman's attention and prove to her that they are strong. For women, most of the time they wait and watch, sometimes balancing the strengths and weaknesses of the two, and do not deliberately favor either side. Such an ambiguous attitude was a bigger misunderstanding and stimulation for the two men, so their fight escalated step by step. In the end, the woman and the boy have a turbulent relationship, and then continue their middle-class life with her husband, and she is the only winner of the best of both worlds.

It is very interesting that the last dialogue, the woman confesses her betrayal to her husband, but the man doubts it. In fact, in his mind, there is also a dilemma. Because if the wife really betrays him, it will prove that the boy is not dead, and he will be able to escape the guilt, at least it will be a great consolation. So he hoped that the woman was joking on the one hand, and hoped that it was true on the other hand. This kind of contradiction shows that the middle-class men are strong on the outside and dry on the inside.

Because of the lack of excitement in the story and the rather vague themes of such films, the audience seems to be able to get their own interpretation from any angle. Or the director has his own unique starting point, but for me, it can only be regarded as a post-modern stream of consciousness work, let the author die, and think it is wishful thinking.

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Knife in the Water quotes

  • Andrzej: When I was an apprentice helmsman, we had a bosun - Krystyna, what was his name? The guy with the willow. He'd say: see that willow? It was an oak. If the bosun says it's a willow, it's a willow. "To the willow, quick march!"

    Young Boy: Shit. Excuse me. So much water in there.

    Andrzej: We'd sit on that willow maybe an hour at a time.

    Young Boy: On that oak.

    Andrzej: Willow, for us. And he made us go "cuckoo".

    Young Boy: Made you do what?

    Andrzej: Make a cuckoo sound. Like the bird.

    Young Boy: And you cuckooed.

    Andrzej: He wasn't all that smart but he turned us into men.

  • Andrzej: Better get back to that line.

    Young Man: Who are you ordering around?

    Andrzej: If two men are on board, one's the skipper.

    Young Man: Or the drill sergeant.