I just read a few questions about clyde's impotence upstairs, and I think it makes sense. I was so suspicious at first, but I changed my mind when I saw it: maybe clyde has always refused to put bonnie into the abyss of sin, haha. It seems that my knowledge is too little, and there is no connection with reality.
I also mentioned the two scenes:
the first one, bonnie is running in the meadow, clyde is chasing anxiously, the picture is very beautiful, it reminds me of "Forrest Gump". The part of saying goodbye to his mother is very different from the overall style of the film. The rhythm is slowed down, the picture is foggy, very peaceful and harmonious, and then the dialogue between clyde and bonnie's mother brings me back to reality. An unrealistic beauty and a foreshadowing of the fate of the two protagonists.
The second one reminds me of Fa Ge's "Shanghai Bund" again. The feeling is to learn this :) The
connection of the shots is very clean and neat. Clyde's face-to-face with Bonnie before he fell, and the high-speed photography when he fell, is really classic. The things shot in that era are not as fancy as today's blockbusters, but they are just as shocking.
Reminds me of Neil Young's it's better to burn out than fade away.
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