The second and third films are much shorter than the first one, about 90 minutes, plus the black-mouthed and Jackie Chan play, the remaining time is obviously not enough to become a qualified feature film. , So the director used this time to directly tell the audience that the plot can actually be ignored. Jackie Chan's play + black mouths + comfortable jazz + beautiful women constitute the basic elements of this American blockbuster film. I scored three stars for the first two movies. As for the reason why I scored four stars for this one, the main reason is that this one really played more openly and catered to American audiences more. I think this movie will eventually come to an end. What he should have been. (What logical thing can the cocky partner combination do?)
The first highlight of this movie is the dialogue lines that forced French drivers to drive at the beginning, fully admitting that the United States is a bullying country, and pointed a gun at the driver and said: What can you do with me (subtext), I think the United States This kind of self-rascal style is really cool, although I am a pure Chinese Han...maybe some compatriots will feel uncomfortable, maybe each has its own advantages.
The second highlight, of course, is that the scale has been increased, and the playing has been more open. With the jazz-style background music and rhythm of this movie, with black mouths, and Jackie Chan's action scenes, it feels like this movie is listening. With a song, the audience and the protagonist had a good time playing on the screen (of course, you need to turn on Dolby sound effects and HDR image quality to feel). And a lot of the plot has been downplayed. Just one line, the daughter of Ambassador Han was kidnapped. Maybe the director is trying to tell us that this drama is for you to watch and play, not for you to watch the plot.
Compared with the first and second films, the director’s affirmative attitude made the audience very comfortable to play. It is not so concealed and he wants to use a more complicated plot to cover up his intention to play. This way, on the contrary Let the audience have ambiguous ideas about the positioning and aesthetics of the film.
To sum up, although the popular police and criminal films with various humorous characters on the protagonist have become a genre, there is no plot to speak of, and it has violated the original intention of the purpose of film production, but as long as you change your attitude towards watching movies, take the initiative to cater to it. You can have fun with this type of successful blockbuster film, just like a flashy book. When you read, you are immersed in the magnificent text, rather than immersed in the ocean of thinking. But after all, movies and books are two different things. Movies have pictures, and this kind of blockbuster genre will inevitably become an increasingly popular type of work in the age of electronic information.
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