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Lubesson's Violent Spectacle and Human Torture
Christian 2022-03-20 09:01:59
The first time she left the base, the coach took her to a high-end restaurant to celebrate her new life, which was also her birthday. The clothes were dyed fragrant and the temples were dyed, the lights were on, the mellow red wine, and the exquisite gifts presented in front of him, everything was like a dream. It was just a phantom, shyly opening the lid of the box, and there was a black gun lying quietly inside. The man sitting opposite was still the same person, but he did not say the words of blessing in anticipation, but in a tone that seemed to be understated. The task given, she must kill another person in the restaurant. This is the first task, and it is also a test to test whether she is qualified for training, otherwise she will only sacrifice, how ironic. The escape route arranged in the mission is just a wall, there is no escape route. She completed the difficult task and successfully escaped, but her heart, the heart that should have been out of sight, had already hit the wall with scars. There are many such classic scenes in the film. For example, in the bathroom of a hotel that was supposed to be a holiday, the lover was talking love words outside the door, and she was wearing underwear and skillfully used a sniper gun to target the murder on the other side of the street. This is Lu Besson's violent spectacle and human torture. The criminal who shot and killed the police eventually became the killer of the secret police, a woman named Nikita who was full of both wild and weak qualities at the same time. She was comforted by the sound of gunfire, relieved by the murder, but unable to return to herself in the violence. Very nice movie. Although the structure is slightly scattered.
Extended Reading
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Dayana 2022-04-23 07:02:36
At the end, Nikita and her husband were lying on the bed crying, and both of them performed very naturally. Was moved.
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German 2022-03-26 09:01:07
Incomparably intimate familiarity, from the editing of the scene to the handling of the characterization and the soundtrack, to trivial details such as chewing gum, sunglasses, smoke, the rhythm of murder, and silly music. Well, this kind of behavior that only looks at the horizontal comparison and ignores the film itself is very idiotic. . .
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Marco: Time to clean up.
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Nikita: I'm scared.
Bob: The worst's over.