The lower part makes me think. . Purely a study in tribute to Hollywood.
I feel very different from others and just find it contrived. Especially the well-received cuts and the extraordinary shots that are shaken for quick cuts. It doesn't look smooth.
Especially the scene where the world is dark and the catastrophe is imminent at the end. . . I have seen countless American disaster films reproduced, whether it is the sense of the camera, the actions of the actors, and even the presence of the TV announcer. . . . Ugh.
In particular, the actor's performance is very rigid, especially, especially when it comes to showing a sense of humor. Everyone remembers what the sense of humour in Russian movies was like, but now they have to learn how to talk like the FBI or the badass tycoon, or just use winks and body movements without talking (that clumsy tango episode), which makes People find it weird. At least I was extremely uncomfortable.
And music. Everyone likes it too. But I think it always deliberately and abruptly follows the action, which is a rather unsmooth and skillful hard stick trace.
As far as the narrative structure and presentation of a film goes, here's a chalk rendition of Tolkien's enchanting rings. But for viewers who have roughly seen the Night Watch in front, or haven't seen the Night Watch at all, it's tantamount to a dream.
Whether it's chalk or a thousand-year-long vague rules, none of them are clearly understood by the audience. At this point, I thought it was not even as good as our Wuji.
Of course, there are a lot of whimsical plots in the sun watchers, cars driving past buildings and body swapping, but the clear description of the big plot and the delicacy of non-masked characters are all useless, just like today's Russia's entertainment industry has five bodies before Hollywood's culture, skills, and aesthetics.
I remember I was really surprised when I saw the first one, mainly because - it was a Russian movie. Unexpectedly, the boredom in the second film was also from the same position, but it became a rhetorical question - this should be a Russian film, right?
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