At about 36 minutes, the heroine walked from a distance, jumped to the next picture, and suddenly became smaller, a huge street lamp, and a small person. No matter how the characters move, they are in fixed proportions. When he walked towards the camera, his body did not become taller.
I am now very fond of black and white films, especially these often pause, and even rewind the picture. I plan to watch the last dozens of empty mirrors again tonight.
"The Tramp" (or King of the Road) feels like "The White Chief" should be directed by the same director, but one is Anton and the other is Fellini. Ft, I've been dazzled by these Italian "nis".
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