The 9th screening day of the main competition unit of the 6th #faroeislandfilmfestival will bring you "I am Black". Below, we will bring you a sympathetic evaluation of the frontline bottom line!
Pincent:
Ken Loach's masterpiece. The ruthless criticism of society, the failure of communication between the low-level people, the typical Scottish man image (proud, old-fashioned, hard-working), the confrontation between the individual and the society. The critique of British bureaucracy is more prominent, and the plot is more pessimistic. Coconuts kill more than sharks.
Tonda people:
Is this really the case in the UK? It's good for me to feel "frying pot", and the news network can also use this as material. Movies like this are not as good or different as the movies of the same type that I've seen.
Tony Xue:
"I, Daniel Blake, am a citizen,
"nothing more and nothing less."
That's all.
Troubled day and night:
The sharp knife and the cross-section of the United Kingdom have a clear stand and speak clearly and directly. Several scenes are very moving, and they are better than another Palme d'Or "The Wind Blows the Wheat Waves".
Freshwater River:
I don't really like this kind of low-level care theme. . Moreover, it is meaningless to talk about social issues in a direct and naked manner. The social themes need more profound stories to be reflected. Now this gives me a feeling of the middle class exploring the living conditions of the bottom.
We Min Hee:
There is something inappropriate that I personally think is the political criticism part of the latter part of the film, which is a bit too straightforward. Of course, this may indeed be the voice of the people.
Her Majesty:
The shooting is very simple, but there is a sense of layering, transitions, and climax settings. The editing is not bad for a second, and it is a real master work. There are several tears, and it can be seen that they are deliberately inciting. There are a lot of sublimation places such as "coconut and shark", but the point is just right. Of course it deserves the Palme d'Or, and for Cannes, whether it is a member of the jury or the source of the film, 2016 is a drenching year, but even if there is no top award winner, you can give it. The criticism of the system is very direct and powerful. Two years later, "I'm Not the God of Medicine" should have learned a lot from it. The difference is that Ken Rocky is asking questions and participating in solving them, while we are only talking about a problem that has been solved. The problem. We often say that movies shouldn't be just politics, but more importantly that movies can be politics, every minute and every second.
Faroe Islander:
After watching it, I was puzzled. Black sprayed words on the wall to protest, which was obviously the highlight of the whole film. Why did he deal with it carelessly? After thinking about it, I would understand that this is not a passionate act of justice at all, but an imminent The last bit of dissatisfaction and self-deprecation of the elderly who died of the collapse of the social system and their self-deprecation will at most get a few cheers from enthusiastic passers-by. Words can be easily erased and people can easily disappear. Only this hellish world cannot change easily.
Snow-Nashville:
I watched the director and screenwriter's new work, Sorry We Missed You. Like this film, the theme is all about the lives of middle- and lower-class people in the UK. Paul Laverty's script is so real that it's tear-jerking, without twists and turns, without emotional peaks, because life The script is just that. It presents the stark reality to the audience with great pain and humor, and the audience's sympathy for what the characters suffer, perhaps precisely because they are going through, or going through the same thing. Director Ken Loach puts the main characters in apathy and, in his own way, shoots a soul-stirring political drama that mocks the social catastrophe in Britain today.
Quit the smoke:
good! Ken Lodge unreservedly showed the most vulnerable side of British society in his lens, and the emotional resonance undoubtedly reached the highest peak of this film.
Although the content of the film is suspected of being miserable, the real phenomena such as the poor handling of social welfare institutions, the chaotic housing situation, and the chaos of job hunting are shocking. Obviously, the director hopes that this film can reflect the most real life situation of the people at the bottom of the UK, and he did it!
The film is full of laughter and tears. After watching it, I just want to shout "Fxxking the bloody society and bloody country"! ! !
Big big big white cat:
Neat and simple, Ken Loach didn't put too much technical stuff in this film, and tried to use pure stories to move people's hearts, but no one accused it of being the bottom Poverty Porn of capitalist society? (No ill will towards Ken Lodge) The pattern is not as big as "The Wind Blows the Wheat Waves", but the plot has become a very good slice of the bottom of contemporary British society. If you only describe the suffering of the bottom people, this One is similar in temperament to the thief family (although it doesn't feel particularly appropriate), but the thief family has a more poetic and meaningful temperament.
#FIFF6#DAY9's main competition unit field journal score will be released on the broadcast later, please wait and see.
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