It is also watching movies. People with high taste go to the cinema to enjoy them. People who are addicted to collecting buy D9. The least popular thing is to use BT to download. For me, the money is not enough, the style is low, and there are no cinemas nearby, so I am undoubtedly a natural supporter of BT. Coincidentally, Zhejiang Times Cinema recently opened a Zhongan Movie World, located at the gate of the community. It has been open for a month, but it has never stepped on the spot. Even if it belongs to the only BT faction, as a fake movie fan, I still feel a little unhappy. So, today I went to see "Dragon City Years". By the way, the newly renovated movie theaters should be visited less in the future. Although the screen is good, the sound is good, the sofa is good, and the eyes, ears and buttocks are all enjoyed, but the nose suffers and can't stand the strange smell!
As the mainland version of "Underworld", "Dragon City Years" is less than 90 minutes long, so it's a bit baffling, especially at the end, what a sigh! I can't wait to download the Hong Kong version. It should be said that Director Du's skills are bullish. Of course, he insists that he is better than "Gun Fire", but he may not dare, but it is a fact that this film is far more difficult to control than "Gun Fire". The following comments are based on the Hong Kong version.
The part of Tony Leung Ka-fai blowing chicken in the hotel box is a good illustration of the arrogant, domineering, and intrepid little boss of the underworld, Big D. And Ren Dahua plays the introverted, sinister and vicious Ah Le, which is also intriguing. Liang and Ren were both nominated for this year's Academy Award for Best Actor nominations for this film. They are indistinguishable from each other, and it is not suitable for anyone, so if I were a judge, I would definitely vote for Aaron Kwok of "If Love". (Liang also re-nominated for "Song of Everlasting Sorrow", and he is not optimistic about this film and will not be considered for the time being). The supporting roles are also very good. Deng Bo is not angry and arrogant in the gang, but he is still not humble or arrogant in the police station with his trousers in his hand, showing the appearance of the boss. At the beginning of the plane, the plane didn't say a word, and it was cool. Gu Tianle is still so handsome, handsome and convincing. He doesn't make many appearances, but he can see his weight in the sequel. There are almost no women's scenes, and the performance of women in big D is very average and can be ignored. I thought Luo Dayou was exhausted, but in the end, the thin camel was bigger than a horse, and the soundtrack was quite good. Using a guitar to render the atmosphere of a gangster movie instead of a romance movie still had to take some risks, and he succeeded.
Although the story is not complicated, Ale and Da D compete to be the boss of the gang, each showing their magical powers, and finally see who will die, but Director Du seems to have great ambitions. He doesn't seem to be satisfied with just rounding up the story. "The gang power struggle reflects the panorama of Hong Kong's underworld. There are not many actions, not even a gun, but the dialogue is meaningful and worth pondering, looking forward to the sequel. If the primary school Chinese teacher must be required to summarize the central idea, then I can only say that the "underworld" is playing with the theory that character determines fate, which is fundamentally different from the fatalism in "Infernal Affairs". I won't say the details, you can go and see for yourself, it's best to watch the Hong Kong version, the original flavor.
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