The serial boxing and so on are spoofs of Bruce Lee, and this "Ip Man" Donnie Yen also pays tribute. The subjective shots of the opening police car continue the trilogy. Black the female driver, the road killer. Master Xing's Wuliu must have been inspired a lot, and the super-large condom has brought Wuliu to the extreme. Hong Kong films such as Jackie Chan have used this section N times to save cultural relics from fire. The white-headed detective is undoubtedly one of the most classic characters in film history. There is also "The Detective Plane Head" by Jim Carrey. As an actor, a classic is enough, and so is the screenwriter and director. It is said that Stephen Chow is the ancestor of nonsensical, but in fact, American talents, especially the screenwriter and director of this film, have been nonsensical since "Unprecedented Flying All Over the Sky". Hong Kong films have always "learned" (plagiarized) Western films, and they don't really have much creativity, except for certain types such as Jianghu films and ghost films. We used to watch Hong Kong films and thought they were amazing. That was because we didn't have the chance to get in touch with too many Western films. In fact, many of the amazing things and excellent bridges in Hong Kong films evolved from Western films. As a Hong Kong director in the golden age of the 1980s, I have had a "duqiao" experience, and I know this more deeply.
PS: I recently watched several films of Buster Keaton, and re-watched several Hong Kong box office comedies in the early 1980s, and then found that Keaton was copied very badly, and in a strict sense, Keaton Become the patriarch of nonsense (he is more nonsense than Chaplin-of course, Chaplin can’t be called nonsense, but some sections are also very nonsense, like the one in "The Great Dictator" that shows the invention. Numerous films imitated). Therefore, it is indisputable to say that the Americans are the ancestors of nonsense.
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