Kama Sutra: A Tale of Love
Director: Mira Nair
Starring: India Varma
Ganga Water, Ganges Civilization Embellishes Great Nation, Mayelin Desires immersed in the sacred Ganges River, looking forward with their heads held high, reluctantly disappeared in the mist of tragedy.
In my impression, "Heart Sutra" is nothing more than the same as "Yaoshu in the Room" and "Dongxuanzi". It is nothing more than rehearsing sex acrobatics, but its curative effect is close to the five symptoms, five desires, and ten actions of "The Sutra". In the 3rd and 4th centuries AD, the Brahmin priest Vatsyayana, a lifelong ascetic ascetic, wrote one of India's most erotic works, the Kama Sutra.
The full color starts slowly in the soothing Indian style. Tara and Maye are little girls with disparity in status. They grow up in Maye's lingering eyes, and the plot extension gradually introduces Jagu Mare and Gu Ma. In this way, the identities are almost clearly explained. They are divided into two opposing class categories: feudal landlords: Tara and Jagu Mare; extreme poverty: Maye and Guma. The struggle between the desire and wisdom of two men and two women is almost a traditional script that has been so badly manipulated.
The plot curve is completely based on habitual thinking. The political marriage between Tara and Jagumarie is instantly disrupted by Maye, and then another stonemason joins in without hesitation, so tragedy occurs, and the beginning of tragedy turns to tragedy. The ending bravely collapsed, followed by Brahman reproductive stone sculptures, Indian breasts and Indian muscles arranged in pairs in sequence, and then the curtain lowered, this is a different Indian movie.
India is a great ancient civilization, but the revival of Hinduism completely cut off the civilization of a great nation on the rock walls and books, so we can no longer see the splendor of the Peacock Empire and the Gupta Empire, and civilization will forever stagnate in the Veda The peak of the era has fallen.
The entire film is based on two props: The Heart Sutra and the seductive body of India Varma. "The Heart Sutra" is the best carrier for the director to fully integrate various elements of India's long history, ethnic region, and traditional culture. When language, culture, and mindset become obstacles, the expression of human nature does not need redundant explanations. After all People all over the world are actively participating; Varma's carcass is the key prop that connects two men's wrestling, two women's jealousy and contradiction, and the expression and careful eye contact are almost perfect. The director's artistic tension.
The shot of female director Mira Nair turns into India's tinted strips and rendered Indian music. The tone of the picture is fiery, including bright yellow and red, and the vividness of the colors adds a greasy Indian style to the film's formalism and the paranoid aesthetic details of the female director.
"You are the one who talks about love all day long, but when you face her, you have to run away..." Maye looked at Gu Ma with sad eyes. Several corresponding shots before and after the mason Guma are all meditating on the breast of the stone statue. The entanglement of love is still concentrating on carving the stone, giving the stone a sharp and eternal beauty... The love is more sober and lonely, hehe , This passage always reminds me of the sour characters and numb dialogues in Shakespeare's plays, and it is still a transition in traditional stage plays. The three dharma seals of primitive Buddhism have the seal of “all dharmas without self” as the core—different interpretations of this seal constitute the fundamental difference between Theravada Buddhism and Mahayana Buddhism, and there are a few ordinary people who can understand the world and become enlightened.
Saw Blade's Edge
Happy Arhat's Erotic Palace has been circulated for a long time in the entire Confucian culture of China. The ancients always spared no effort to pursue various exaggerated bed techniques in many erotic books of the ancients. Maye studied hard in the "Heart Sutra" study class When I saw the blade, I could imagine that this guy would definitely be able to achieve a unity of theory and practice in Gu Ma within five acts, and as expected, the director intends to use the blade as the supreme win-win of love and desire. realm. When Maye drew parallel fingerprints on Guma's solid back, the camera and the fingers slowly extended upwards, which actually became more poetic.
climax
What kind of concept does the whole film want to express? It seems that the last wave is too vulgar and old-fashioned, Maye's hair loss, Tara's abandonment, Guma's death, Jagumarie's complete depravity... It's like a very mediocre sexual process. The continuous cuts and shots show Gu Ma's nostalgia for Maye's flashing thoughts when he was dying. In a long shot, Maye left alone sadly.
Ganges In the
end , Maye's confusion in the Ganges water seems to return to a theme, we will never see the glory of the Peacock Empire and the Gupta Empire again, and the same is true of Indian movies! (Text/Changyou Fourth Hospital)
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