prisoner love

Golden 2022-05-07 06:01:04

This is a film that tells a story from the point of view of a marriage betrayal. One is the male lead who is fed up with the docile and kind-hearted family but has no freshness in his wife and mother, and the other is a young actress who has been filming and separated from her husband all the year round. The spark of love burst out in the filming together, and it was out of control, like a spark of fire burning through the whole forest. In addition to reality, the people in the play also have no scruples in discrediting the beloved woman, but they are instead betrayed. Love, what is it?

Let me ask all of you here: You have a wife who has been married for many years, and she is old and beautiful, and you can't even have sex. You start to hate the current postnatal life. Just when you are irritable and unbearable, you meet a woman who falls in love at first sight. She is a perfect woman in her eyes, and she is also in love with you at first sight. You start contacting, chatting very speculatively, and your emotions heat up quickly. You eat together, watch a movie, go for a walk together, and you start to itch, knowing she can't wait for your confession too. But at this moment, you always know in your heart that you have a lover. Because of this, you haven't had any intimate contact with her. You are complacent, while enjoying an ambiguous relationship, while behind the scenes you can be open and honest with your former lover. You enjoy the thrill of being loved, but one night when your conscience hurts, you feel guilty about what you did, you feel sick to your stomach, you feel sick. Self-righteousness in your heart adheres to your own beliefs and principles. You deeply alert yourself, you have a lover, you can't love another person, you can't be together. But you don't want to decide. It's not that I don't know what to do, I just want to wait. Or, in fact, both of you are truly in love. These two people appear when you are lonely and lonely, and you treat them with sincerity without reservation. You are also tangled, you know this is being spurned by others, and you hate being such a person. Until you finally show your feet, you lose what you originally had, and you don't get what you don't have. You are the one who regrets, and you are the one who feels guilty. Is there anything wrong with you?

I am very envious of Charles (Mike) in the play, he can love boldly, but also bear the consequences of indulgence. Charles gave up his reputation as a gentleman as more important than life. And being published in the newspaper undoubtedly made things worse, adding fuel to the fire, making Charles disgraced and ashamed. Unfortunately, he was ruthlessly abandoned by Sarah. Outside of the play, Mike deeply loves Anna, but Anna only regards this as a one-night stand that spans the entire play. Mike, who lost Anna, lost his soul and was in great pain. Why did he betray his family for the sake of a woman, but he was betrayed. I lost what I had, but I didn't get what I didn't have.

Mike is like a beast in a cage, full of animal nature, but he can be played with by others. How I hope that when Charles returns as promised, the gentle and kind Sarah is waiting for him. How I hope that Mike, who betrayed his family, will get Anna's change of heart, and the two will fly away without fear of conscience. Everyone is a boat in the sea. When the weather is calm, there are still water monsters. When the wind and rain are violent, who can answer?

View more about The French Lieutenant's Woman reviews

Extended Reading
  • Kiarra 2022-05-07 06:01:04

    ①The subtle class relationship between the declining aristocracy and the emerging capital upstarts; ②The discussion of feminist topics is in line with a certain lesbian movie that is far better than last year's fire; ③-Why don't you go to London to live a new life? -If I go to London I know what I will become, I will become Lyme. Some people already call me. I am fragile, I am guilty. You can't imagine my suffering, I can only be at ease when I sleep. The nightmare started when I woke up: how am I, how am I not Miss Freeman! Not jealous, but not understanding. ④In 1857, it was estimated that there were 80,000 prostitutes in London County. One of the 60 houses was a brothel. At that time, the male population of London was 1.25 million, and prostitutes picked up 2 million visitors every week. ⑤The best background for the workhouses, poor women's laboratories, and brothels is the cloudy sky and night in London. ⑥ Once a tutor is unemployed and driven out, he may become a prostitute.

  • Dock 2022-05-07 06:01:04

    It seems that Guan Jinpeng’s "Ruan Lingyu" form innovation appraisal is going to be lowered. The effect of the play is not only to superimpose and integrate the two stories, but to separate the audience from the audience, making it look at the "French Lieutenant's Woman" from a distance. This story has become a tool to promote the emotional process of male and female protagonists in "reality". Although the time of "reality" scenes is less than that of "movie", "movie" time reversely shows the process of emotional development of men and women in "reality" The extremely detailed and natural, this special technique is extremely wonderful. When these two stories are viewed side by side, the sense of change of the era is highlighted. The strict religious rules and secular gaze of the Victorian era contrast with the hidden lingering emotions in contemporary emotions. The nature of the former highlights the criticism of the era. The asexuality of the writer portrays the bitterness of unspoken love. The contrast between the happy ending of the "movie" and the tragic scene of "reality" at the end also distinguishes the difference between the screen and the reality, while the plot of the "movie" and the plain writing are scarce. His "real" life also proved this.

The French Lieutenant's Woman quotes

  • Montague: My guess is we will be asked to make a 'confessio delicti'.

  • Davide: Have they decided how they are going to end the movie?

    Mike: End it?

    Davide: I hear they keep changing the script.

    Mike: No, not at all. Where did you hear that?

    Davide: Well, there are two endings in the book. A happy ending and an unhappy ending, no?

    Mike: We're going for the first ending. I mean the second ending.

    Davide: Which one is that?