At the beginning of the film, Leo Carax laid a strong and depressing, heavy and passionate, hot and painful tone for the whole film, which made people tense and breathless, indicating that the love was coming, Leo Carax. Lacks bluntly begins the most profound and powerful sculpting of his inner monologue of love.
Alex's strong and desperate love for Michelle runs through the film from start to finish. There is a scene in it that still reminds me of the sadness in my heart that I can't calm down. With the help of the old tramp Hans, Michelle went to the center of the exhibition to watch the famous paintings she had longed for for a long time. Against the background of candlelight, Michelle adored the beautiful pictures. At this time, the infatuated Alex desperately thought that Michelle had abandoned him and abused his own body with a wine bottle to relieve the pain and grief attached to his soul. When Michelle returned to the New Bridge When Alex covered his face and cried with excitement, Michelle looked at Alex, who was full of sorrow and joy, and wanted to use her tenderness and hugs to soothe Alex's wounded heart, but the stubborn Alex didn't dare to approach, and was stubborn. Michelle wrapped Alex tightly, and was surprised to find that the wounds on Alex's body that were still bleeding were all over the body. Almost helpless and infinitely sad, he hugged Alex fiercely, as if to rub Alex into his body. I don't know how to express my feelings. There is only a kind of sadness that keeps growing in my heart. Yes, it is a kind of sadness that makes people want to cry without tears. I can't help thinking that Ge Fei wrote in "Flag of Desire" "Before I met you, I was lonely, after I met you, I was lonely". Leo Karax is so "cruel", he always throws away the body other than emotion and soul as garbage, it seems that it is superfluous, it is metaphysics, maybe Leo Karax He is also a supporter of Plato.
The end of the film pushes the whole love story to a climax, and at the same time Leo Carax also expresses the utopian ideal love to the extreme. Leo Carax dramatically turned the pen, and in the poetic winter night, love piled up into eternal whiteness. All the turmoil, anxiety, depression, anxiety, pain, and suffocation followed the snowflakes in the quiet winter. In the middle of the night, it turned into droplets of crystal clear water droplets, which converged into a trickle, flowing to the sea and to the distance, away from the new bridge forever. Leo Callas' magical strokes at the end made the whole film achieve a high degree of unity in terms of consciousness, so that Leo Callas, an idealist of love, can be more spy on his persistent yearning for perfect love. Beautiful!
If you want to describe a movie with painting, then "Lovers in Xinqiao" is obviously an oil painting with brilliant colors and heavy colors. Its layers advance, layer upon layer, so that the entire film has nowhere to hide in front of Leo Carax's intense camera. The two biggest highlights of the film are the passionate director of Leo Carax and the delicate and profound performance of Juliet Binoche, for which Juliet Binoche also won the year ( 1992) Best Actress at the European Film Festival. In the film, the tragic feeling that almost runs through the whole film and then brings people into the raging flames. Rather than saying that "Shinbashi Lovers" is a successful video work, I prefer to think of it as the inner monologue of Leo Calax's love.
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