Write your own thoughts first, based on the impressions that remain.
———— The heroine was born beautiful and charming, just leaning against the wall to smoke is a stunner in the world. Her eyes are the most moving, and the bright eyes flicker between the half-covered eyelashes. The movement of her lips smoking is like blowing a kiss to the world, she knows when she is the most beautiful, and the beauty is not a little bit.
—— A letter was written from beginning to end, and Godard took a single stroke. That friend pushed her down the path of depravity. Filming the conversation between two people from the back of the head, with cigarettes in the middle. Willful panning, sweeping across the faces of both sides of the conversation; jumping forward with the rhythm of machine gun firing. In order to show the street scene of Paris at that time, one side was photographed from the beginning to the end, and the other side was photographed from the beginning to the end. Some people were kissing, some people were clinging, and some prostitutes were standing like vases waiting for passers-by. Parisians always look like they are performing. That dance she danced so heartily, she was desire itself. The largest scale is only nudity and partial stroking, and the viewing of beauty is all-round. The key words of each chapter reveal what is to happen, and the gunshots at the end are still harsh.
The body that sought help ushered in the fatal blow. Talking with philosophers about language and existence, cold reading of prostitute regulations, books read by young painters. Relying on the text makes the film very literary, unable to explain, unable to hold back confusion. It's not just Nana, it's a group portrait of prostitutes, so the poster has a lot of beautiful figures. Those whore clients make me feel the loneliness of the times, not the repressed sexuality that people crave for hugs.
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