At the beginning of the episode, Susan was weaving something. In the next episode, when she took out the fabric again, it was still the same as the original, and the length basically remained the same. It can be seen that Susan is addicted to solving cases and can't extricate herself, and has abandoned the female celebrity for a long time. But I like this persistent character very much, and I am the same kind.
When the quartet sends the youngest Lucy on the train to seduce the killer, Millie pulls out a gun. I'm reminded of what Chekhov (or some other writer?) said in "Secret No. 9": If you're not going to shoot in Act 5, don't let this gun appear in Act 1 (to the effect of this ). Then the gun fired and killed the killer. I thought it would be Susan, or Lucy, but it turned out to be the owner of the gun, Millie, fair enough.
Lucy was ironing her clothes when she first appeared on the scene, and her husband was talking sarcastically next to her. At that time, she felt that this was not a harmonious relationship between husband and wife. Then it turned out to be domestic violence. What is rare is that with the help of friends, I left home for the first time, and then ran away completely. There is no slogan of feminist slogans here, but that kind of claim is infiltrated in silent places. Positive energy manifests in many ways.
There is also Millie fighting back against the boss's harassment. Exactly what you and I would normally do.
The foursome see a dead body for the first time. My reaction was to take out my phone and call 911.
When it was said that the suspect had been burned to death, the first reaction was DNA comparison to confirm the identity.
When Lucy accurately recalled the contents of the newspaper, when the four painstakingly analyzed the routes and possible intersections with maps and timetables, they all thought of the almighty computer. Garcia in "Criminal Minds" tapped the keyboard a few times, and all the information came out magically. .
A comparison of Julie's photo with today's facial recognition technology. Although I lament the progress of the times, I also like the sense of age in this type of film.
Lucy's ability to remember is like Dr Reed.
In that era without modern technology, personal reasoning, memory, comprehensive analysis, intuition, etc. are all important. Susan told Cavendish, "Underground, the air is very bad, rape after murder", Cavendish thought of the building collapse in 1944, firstly, it was impressive, and secondly, it was association.
The same is true for suspects who planted stolen goods, just put one or two personal items. If it's modern, it doesn't make sense to frame it without a bit of DNA.
Susan met a suspect for the first time in the hospital, and when she felt wrong, she lied, "My husband's car is outside, and we agreed for ten minutes." A very clever move.
Susan's daughter came to her and said she couldn't sleep, "there is a monster staring at me outside the window", it must be a suspect, thinking about it, it's creepy.
Actors in British dramas are not as beautiful and conspicuous as in American dramas, but they always have a unique charm. Just because they look ordinary, they are more like the ordinary you and me.
Lucy looks like Emma Watson.
At the end the Deputy Commissioner said to Susan, I should have listened.
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