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1989 Caesar Prize Winner
Jeanette 2022-03-20 09:01:58
The soundtrack of this film is very famous, won the Caesar Award in 1989, and is also highly respected among enthusiasts. In the vast ocean of movie soundtracks, it can be called the best work. The composer is Eric Serra (Luc Besson's official soundtrack). This film is an early collaboration between Luc Besson and Eric Serra, so the commercial flavor is not very strong. Except for a few plot variations, it is the blue sky and blue sea and the fatalistic dreaminess of the blockbuster. It is said that Serra was dragged by Luc Besson to dive every day for the soundtrack, and was forced to change from a landlubber to a diving master. Perhaps it is because of this that Serra can write music as blue and melancholy as the sea.
Extended Reading
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Jana 2021-12-21 08:01:30
After watching this film, I immediately sent a short message to Fu Yi: Men with shadows in childhood (especially men with shadows of death), we can't afford to provoke them.
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Lexie 2022-03-22 09:02:03
Let's set a theme of "Japanese aesthetics" first, and then make a conclusion when it is revisited in midsummer.
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Supervisor: Hey! You gotta get him outta there, fast!
Roberto: Ten thousand!
Supervisor: Lira?
Roberto: Dollars!
Supervisor: Hey, wait a minute! You guys aren't gonna try to hold me up at a time like this?
Enzo: Okay, you tell me. How much would you say a man's life is worth? In my village we have a saying. (to Roberto) How does it go again?
Roberto: I don't remember.
Supervisor: W-what's that supposed to mean?
Enzo: Forget it.
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Uncle Louis: [to Johana] So, where are you from, Henrietta?
Jacques: Johana! New York!
Uncle Louis: New YORK? What KIND of a name is that?
Johanna: No, I'm *from* new York
Uncle Louis: Oh Yes! The best lays are from New York!