The multi-line narrative is really tiring to watch... There is no need for the narrative structure of the three seasons to be like this. Things that can be communicated over a phone call must be communicated when death is imminent, and it’s not that everyone doesn’t know each other about monsters and supernatural existences…
The facialization of the characters is too serious, the bad guy is the bad guy at a glance, the bad guy is always stupid, and the aura of the protagonist directly makes people guess the whole plot... What I can't guess is - I don't know why, the only one that was not absorbed is Billy, and in the end Was it influenced by EL with love? And the protracted love line of the whole drama makes me think that the screenwriter has written too many soap operas.
Multi-line narrative, I think at most the fourth episode can be converged, and we can enter a more suspenseful and intelligent plan, and the result is dragged to the end...
The monsters didn't change to any new tricks, and other NPCs in the whole town felt very heavy and even felt that they were intermittent, and the acting skills of EL, Will, Will's mother, etc. had also entered the mode.
EL: Stupid, happy, staring at people with nosebleeds/crying
Will: cold face, neck pain, madness
Will fuck: go crazy
In the end, the little fat man and Suzy sang I thought it was fun, poke me for a laugh... but it felt more suitable for HE
I feel that if the S4 screenwriters don't change their tricks or screenwriters, the word of mouth will be waterloo...
I still like this series very much, please come on S4!
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