While watching this movie, I happened to watch the tower sculpture time, and I have seen some Japanese movies on and off before, and once again realized the charm of movies as an independent art, the works that have both cultural heritage, form and content are works of art themselves. The three are a bit like the Iron Triangle. It is most stable when they have both, but most of the time it is difficult to have both. I also recall the relationship between ritual and content in Shi Tiesheng's soul, which is really interesting. I think it has reached the height of a work of art, even standing on the top of a mountain, and I am very fortunate to be able to enjoy such an excellent work. Now I recall many movies I have watched before, and the latitude and cognitive system of viewing are also slowly merging. Change, just like watching various exhibitions, can be regarded as an invisible "feeling", a kind of cognition that integrates various ideas. My history of watching movies is not short. When I was a child, I benefited from my father's love for it. For the sake of collecting CDs and DVDs (influenced by my father, I also got a lot of collecting addictions, books, cassettes, and even weird yo-yos), I watched a lot of movies with my father, every time before dinner Watching movies seems to have become a routine in my family. It is about the fourth year of my senior year when I really start to seriously record the experience of watching movies. I can’t stop it any longer. I wrote more than 3,000 notes in bits and pieces. I, who loves writing, established a connection. I really don’t know why I took the road of science at that time. Is it just because of my good grades in science? Eh, off topic, the exploration of human nature and culture in this film is what attracts me the most. In one sentence, I think it should be that the Bushido spirit is just a facade.
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