Iron Triangle

Stephon 2022-03-20 09:01:57

While watching this movie, I happened to watch the tower sculpture time, and I have seen some Japanese movies on and off before, and once again realized the charm of movies as an independent art, the works that have both cultural heritage, form and content are works of art themselves. The three are a bit like the Iron Triangle. It is most stable when they have both, but most of the time it is difficult to have both. I also recall the relationship between ritual and content in Shi Tiesheng's soul, which is really interesting. I think it has reached the height of a work of art, even standing on the top of a mountain, and I am very fortunate to be able to enjoy such an excellent work. Now I recall many movies I have watched before, and the latitude and cognitive system of viewing are also slowly merging. Change, just like watching various exhibitions, can be regarded as an invisible "feeling", a kind of cognition that integrates various ideas. My history of watching movies is not short. When I was a child, I benefited from my father's love for it. For the sake of collecting CDs and DVDs (influenced by my father, I also got a lot of collecting addictions, books, cassettes, and even weird yo-yos), I watched a lot of movies with my father, every time before dinner Watching movies seems to have become a routine in my family. It is about the fourth year of my senior year when I really start to seriously record the experience of watching movies. I can’t stop it any longer. I wrote more than 3,000 notes in bits and pieces. I, who loves writing, established a connection. I really don’t know why I took the road of science at that time. Is it just because of my good grades in science? Eh, off topic, the exploration of human nature and culture in this film is what attracts me the most. In one sentence, I think it should be that the Bushido spirit is just a facade.

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Extended Reading
  • Chelsea 2021-12-22 08:01:08

    #重看# A perfect interpretation of the so-called combination of movement and static, movement is like taking off a rabbit and quiet as a virgin, between Zhang Chi and awe-inspiring killings, clamoring with gold and iron horses, swallowing thousands of miles like a tiger, silently thundering in the deep depths of the darkness. The climax scene is a fighting scene of violent grass. The sound of the wind rolls over the grass waves like thunder, the clouds are pressing on the top, and the tilted composition is like death possessed. Tatsuya Nakadai opens his arms to embrace the wind in his arms, and his face is solemn and solemn like a sculpture. It is worth remembering. The moment of film history. There are subtle similarities between the script and "Rashomon" and "Seven Samurai", the truth and misunderstanding of the retelling, the helplessness of Bushido's decline and death (but the final solution is a gun), and the armor that carries the ghost of history is like a façade. The skin of nothingness was finally lifted and shattered. Both the setting and the performance have the style of theatrical drama, with a sense of ceremonial solemnity, which meets the need to "cut the belly" in the spirit of the samurai. This is a contest between the glory of the facade and the supreme dignity of life, and the written history has always been arrogant. smear. His soul had come back, and gently opened the door just to say goodbye.

  • Sandy 2022-04-24 07:01:14

    Worthy of being the best anti-samurai film, Kobayashi Masaki shows the humbleness of the fate of a human being like a mustard and a true samurai very well. History is written by the ruler, and you can't see him as he is. This film lost Visconti's "Leopard" in Cannes that year, and it is a masterpiece.

Hara-Kiri quotes

  • Hanshiro Tsugumo: The greatest delicacies taste of nothing when one dines alone.

  • Kageyu Saito: The ronin from Hiroshima, Hanshiro Tsugumo, committed hara kiri. All our own men died of illness. The house of Iyi has no retainers who could be felled or wounded by some half-starved ronin.