I stayed up all night until 5 am to watch the third season, and I felt a little disappointed. It was really not as good as the first two seasons.
First, the boss of the whole season feels that his IQ is not online. In the main control room of Maozi's base, four children in fancy clothes ran in line and slipped past. No one found it, and I felt a little unbelievable when I saw it Well, so many people in the room are all blind. The soldiers patrolling the second floor with guns seemed to be decorations. In the end, the big boss, Eleven's touching words awakened Billy at once, so that Billy successfully defeated the monster in his body and made the choice of sacrificing himself to protect Eleven. Is it really that simple? .
Second, from season one to three, Will's mother's roaring lines and copper bell's big-eyed expressions seem to have never changed. In the first season, it is understandable that she became nervous because of the disappearance of her precious son. It can even be said that it is very suitable and perfect. The image of a mother who is eager to protect her child is deduced, but it is a bit unacceptable until the third season. My favorite character, the sheriff, is a man who doesn't say much, hides deeply, has flexible ideas, and is brave and resourceful. This season, he has also turned on the roaring mode, roaring with Will's mother, and countless roars are against each other. The play is simply nerve-wracking.
Third, although the children have grown up, the bad habit of arguing at any time has not changed. Whenever the little friends start to babble and babble, I just want to faint like Eleven with a headache. When I watched the first two seasons, I was shocked by the perfect rhythm of each episode. There was no waste scene. The children's quarrel scenes were just right, which not only reflected the growth of teenagers, but also effectively promoted the plot, the emotional scenes and the monster fight scenes. Combined, it's a textbook example of American drama. But in this season, emotional dramas seem to be a bit flooded. Children can quarrel even if the monsters are nearby, regardless of the occasion. The little fat man can sing a song with his little girlfriend at the critical moment of opening the safe, which makes me feel a little as if Watch water-filled domestic costume dramas.
To be selfish, I really hate the scene where the little fat man sings with his girlfriend. I can understand that choosing to sing with a girlfriend is more time-saving than choosing to explain the ins and outs of things to her. At the same time, the face-loving chubby wants to show his girlfriend's real existence in front of everyone. But my dear sheriff, if they didn't sing that song, they might be able to count to three and close the gate, instead of being interrupted halfway through the count and hitting the gate, and finally making poor Mama Will Make the choice to sacrifice the sheriff to close the door.
Fourth, it is still the same multi-line intersection narrative mode as the previous two seasons. This narration method in the first season made people's eyes shine, but after repeating it three times, I felt that the screenwriter had some good ideas.
As a true fan of Stranger Things, every season is all over the night, and there are many highlights in this season that surprise me, the reflection of discrimination against women at the beginning, the appearance of Lara’s character at the end, and the leader of the newspaper who resembles Trump (also There is the scene where he turns into meat sauce).
Finally, the biggest difference between this season and the previous two seasons is that outside forces (the army) have finally begun to intervene in this small town. The story of this small town may expand into the story of a country in the fourth season. Thinking of this, The fourth season is still very exciting. As long as there are fewer brainless emotional dramas, it must still be a model of American dramas.
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