If you don't understand evil spirits, you won't understand how pure that pureness is.
1. Satan advocates indulgence rather than abstinence.
2. Satan advocates realistic existence rather than spiritual fantasy.
3. Satan advocates pure wisdom rather than false self-deception.
4. Satan advocates giving kindness to those who deserve it, rather than squandering love on the ungrateful.
5. Satan advocates vengeance rather than tolerance.
6. Satan promotes so-called sins that bring people physical, psychological and emotional satisfaction.
From Anton Szandor LaVe, author of The Satan Bible 1969 Edition
There is Hengyuan's desire for love in his blood. He never hides and never controls his desire. He loves to be satisfied, and he is as loyal as other loves to death. When his relationship with Boss An Sheng was exposed in public, his leisurely gesture did not change at all.
Boss An Sheng looked at the sky when he saw Heng Yuan's body. Their ultimate goal was finally no longer illusory. Facing death was the most real satisfaction.
Bushido advocates benevolence, righteousness, courtesy, bravery and loyalty.
Hengyuan faced his desires calmly and never shied away. In the eyes of many people, he is a perverted masochist, but he lives flexibly and without hesitation in the gaps that are not understood.
Who dares to be Hengyuan? Who dares to guarantee that he is not a prisoner of desire, who dares to say "you are not enough, you are not at all" in front of madness? People who have not faced real despair and pain will easily judge that this is a perverted R-rated film. For me, the whole process was full of excitement and positive energy.
Ah Yi is a generous gift from An Sheng's boss to Heng Yuan. If someone says that this is a game between s and m, it is a low level. They respect each other's desires, and the people they meet (Fake Tachibana, Aichi, Kim, twin police officers, etc.), none of them have the ability to satisfy themselves. They either kill people just to help others, or they kill a few people. One would not dare, or simply would not be able to start. Movies are just a means, murder is just a metaphor, how to satisfy desires, how to be loyal to only one thing.
To say that they are lovers is also inferior. They are not only love, but also a partner who pursues one thing or even a spiritual symbiosis. So when Hengyuan died, the boss of An Sheng also chose to die, saying that sacrificing love is also low. They just pursued one thing to the extreme, and they had no more to play, so they simply ended it.
To say that Hajime is a supporting role is too low. In this play, Ah Yi and Fake Tachibana are more like expounding the relationship between An Sheng and Heng Yuan: one has been abused, the other has abused others, and it is only when they meet that they understand what that feeling is. It is also expounding the relationship between satisfaction and being satisfied. Only when both parties reach the G point can things be complete. Why does Hengyuan like being abused? Fake Tachibana can explain that because no one saves her when she is about to experience despair, she can only live in a world of abuse, waiting for the hopeless despair. Don't, I want it, I want it, it's not enough, but no one can satisfy it. Why is the boss of Ansheng so quick to abuse people? Aichi can explain. Boss An Sheng didn't plan the whole thing, he just kept satisfying Heng Yuan, and in the process, no one could reach the standard, but instead he was used as a chess piece. Everyone refused to face their own desires, and was hypnotized by An Sheng. It was Ah Yi's cowardice and daring to face it that made An Sheng never satisfied and became a sadist.
To say that this is a romantic film is also low-level. In my opinion, this is a film of desires that are satisfied and satisfied. Love may not satisfy all your desires, so love is beautiful, and Ansheng and Hengyuan... can't be matched.
Nobuyoshi Araki said, I never use a camera to take pictures, but with the eyes that I look at the subject. The nakedness of a woman is not a torso in the general sense to him, but a blooming or shrinking flower.
When Hajime was taken by Tachibanaguchi, the realization was like a personal sexual satisfaction. His murder is accompanied by sexual pleasure, which is caused by the lack of many things, and it is distorted. After Tachibana told his inner thoughts, he became more aware on this basis that the superficial resistance to inner obedience was the root of the pleasure that brought him. , is also the root of everyone's pleasure, just like the raped Tachibana, the people who were killed by him, when they cried for help, they all longed for more intense abuse. When Hajime knew that Tachibana resonated with him, he was greatly satisfied in his heart, and he was willing to let this satisfaction reach a climax, so he immediately killed Tachibana and reached the G-spot in his heart.
Don't misunderstand murder, the movie just uses murder to interpret the two ultimate issues of desire and satisfaction. The more brutal, the clearer the truth.
In Junji Ito's "The Vortex", people are crowded into a room because the whole village is infected. They are selfish, afraid of death, timid, cowardly, and finally squeezed into a twisted state. The hero and heroine are willing to become snails, they are fearless of ugliness because they love each other, and they are not afraid of perishing because they want each other to survive. When the picture freezes, they are intertwined and never separated. Don't misunderstand terror, the painter just expresses a state with a state that is as ugly as the human heart or even surpasses it.
Masayuki Kurokawa said that death is the most natural state of a thing. To live is to be illusory, to be unsatisfied, and to be uneasy.
At the end of Into the Void, the protagonist's soul floats above the world, and death brings him a real hallucination.
Only by continuous satisfaction can we see true desires, and only by death can we get rid of normality and see reality.
If you don't pursue the ultimate, you won't see despair on the way. If you must swear to death, then there is indeed death waiting for you.
"Killer Hajime" is a veritable R-rated to some extent, because it only describes satisfaction and desire, but never talks about love, and the distance between the two is the distance between the bottom and the top of the pyramid.
The 5-star rating is based on how the movie explains things at this level. Aside from the elements of art, sound effects, and modeling, this is a work that deconstructs violence.
Island country, country of death.
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