Sacrifice the opening of the cycling track and follow the frame. It's like people and bicycles drive the machine. The bicycle turns freely in the frame. The thing that makes me feel the most is the grass. The color is beautiful, and there is a story. Then he turned his head and looked directly at the audience. It was very shocking. I liked the way he created the feeling of the dream mirror. The slow shots rambled and the scene gradually approached. I don't mean to like these methods, but I like the feeling created by this method. The characters in the film have been divorced from reality, completely pure concepts and symbols, but he injects reality here, that is, when he wants to be realistic, he is realistic, and when he wants to be symbolic, he is symbolic. I don't like this, you can Express your opinion, but if I have reasons to refuse to believe in the deep expression in the symbolization, the dream can be used as an expression of attitude, but you will not choose the dream in the practice, then the dream is meaningless for the practice, and you want to It is obviously not a common context for dreams to act on practical operations. That is, if you say apples are apples, and he says bananas are apples, there is no way to empathize with them. If the author writes too much, you cannot convey it to the public , a few people can get around and reach it, which is a bit more popular than this, but the scope is expanded, that is, the relationship between the film and the audience, and the majority of people, this is also a sad male protagonist in the film medium looking for a maid, The maid said that your hands should not be so dirty, and then walked from the background to the camera to pour water in a close-up, and then the male protagonist entered the painting, omitting the process of walking outside the painting. Then pull out the mirror to reflect the building above, and you can use the dark circle to achieve the goal. The picture we came to is between the material and the spirit, a terrible unbalanced environment and the changes brought by the scenery to the film, water flow, grass, wind, Leaves, changes in light, these things can have an unconscious effect, rather than static pressure, the father and son sit on the grass track and push it up instead of the zoom segment, of course, that is the condition that multiple characters can be arranged on the screen, close to The camera is the main body talking, the back layer is the conversation and interaction of unnecessary characters, the back layer can take the opportunity to break the front layer to create a sense of accomplishment after the child successfully hooks the bicycle, rides a bicycle away to wave and start talking for a long time and is not attracted by the lines at all. Moreover, the characters avoid the straightforward dilemma, that is, concluding words. The characters themselves cannot stand in the perspective of God. As the dialogue deepens, the audience gets closer and closer to the characters, understands and integrates more and more, and the lines must be introduced into the audience.
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