I remember when I first saw an independent film, I heard similar words from the exhibitor: it doesn’t necessarily make sense, it’s normal to not understand it, don’t take it too seriously. After "Hive Ghost" came to an end, he silently counted a few stairs, turned around, and lit a cigarette. In the dark, the door of the Chemical Engineering Institute was open with orange lights, green leaves and safflowers moved against the old wall, and the ancient courtyard outside the courtyard was not long or short. Lane seems to repeat the lines of his sister Isabella: "If you are his friend, you can call him anytime. Close your eyes and call him. I am Anna, I am Anna." After a few steps, I found out that Xishan and Nana were standing still and chatting about the travel history. I was thinking about the plot of the movie just now. They missed the screening at the town hall. Do you know what "Frankenstein" is? There are many differences between watching a movie and listening to a movie. I just came from the temple, with the incense of bees, what a secluded and mysterious place to see the barren houses in the Castilian plain. Two black holes, a deep well. Anna looked at us at the door, looked at us, like a traditional priest doing the secret ritual of life, paying homage to the dead and calling the dead. Ghosts are the souls of the dead. Originally in the heart, but now needs proof, science is the perfection of human nature, not the immortal soul. Trains, typewriters, radios, projectors... the impact was so great that everything fixed and sacred seemed to vanish into thin air. Anna's ghost is just a copy of the visible film. From a scientific point of view, it is the process of a little girl's growth and exploration, discovering footprints, bloodstains, listening to heartbeats, railway tracks, and observing everything around her. But from the perspective of the soul, it can be seen that there were originally two different worlds. The ghost is the reflection of Anna in the water, and Anna is the reflection of her parents and sister in the past. As long as they don't lose their ability to perceive life, aren't Anna, bees, and ghosts a world of some kind in my heart? The immortality of the soul and the immortality of the spirit are the voices of human beings. Kishyama said that there is something different about Nana from us, just as the old nun in the nunnery also has something different. I have to say that Nana has "city" on her body, but "township" on us. After the screening of Ghost of the Beehive, when it was my turn to discuss, I had to confess my doubts about watching the movie at the beginning: If you want to render some kind of horror or childishness, I don't know if this slow pace arranged by director Victor Ellis is appropriate? "He observed all this, and when the initial astonishment subsided, an indescribable sadness and horror quickly appeared on his face" Fernando, the father of the beekeeper Anna, wrote these words solemnly, and soon marked them again. go. What kind of jumps does the soul make to complete the immortal action of life - anxiety. Township, village rhythm, I suddenly realized the hesitation just now. These familiar sentences can't help but pop up in my mind: The dead is like Sif, a specter, the specter of communism, wandering across the Continent...
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