Only the body, a group of complete proletarians

Aliza 2022-11-10 04:06:04

There are no production tools, raw materials, and places. They only have bodies and are a group of complete proletarians.

(one)

No intention to contribute new ideas, viewing angles. Sort it out and see if there are unfamiliar results.

Before watching a movie, get a clue about it - easy.

Indeed, clear and complete.

She broke away from her regular boyfriend, failed to find a job, became a prostitute, was sold and killed.

Saw some cases of professional prostitutes in various places.

Beginning in Beauvoir's "Second Sex", I mentioned the psychology and situation of prostitutes.

Later, I noticed a street girl in the mouth of a male colleague and Liu Dongming's song.

Also read the special report on this. Although it is a female reporter who has ventured into this group, the content that comes out is not new and deeper than the above.

Most recently, within a month, in an outdated pamphlet, I analyzed the causes of the urban prostitute class as I did the urban homeless class.

A few years ago, some congress representatives proposed to legalize this profession. I thought that this would reduce the number of homicides against prostitutes. At that time, I thought it was a good suggestion.

Thinking about it now, it's not legal anymore, people don't discriminate against this profession, or they don't feel insulted sometimes.

Legally turning implicit taxation into explicit. With the improvement of the economic and educational level, the moral superiority is replaced by a fair face that seems to be scientific, and the underlying psychology is still the same. At present, the system is changing frequently, and the registration is now recorded, and it will become the record in the future.

The class must have its causes, and it will not be solved by sweeping it underground. Discussing this is the same as discussing 996, and there is hope right now, with practitioners.

(two)

But they can't speak, and those who can't express her thoughts will inevitably be imprisoned. Speaking out, using words, ideas have a definite shape. Only then will it be possible to search for it, explore it, change it, find the language that expresses itself that one tries to speak but cannot speak.

Strip Nana of her identity and look at her thoughts and actions.

She thinks her boyfriend loves her as a member of the class, that is, he loves her because she is a beautiful woman. She expressed this dissatisfaction, the communication did not progress, and this non-progressive communication made her think that the expression was meaningless. Not expressing the thoughts that made her vague still stay in the vague position - what motivated her to leave this boyfriend and move on to another, and the next, the next, the next...

In "I love you", "love" is a very unclear expression.

In your twenties, love is an amalgam of many things, and all one knows is a bit of chance caught by chance.

To fully understand what love is, requires maturity, which means seeking. It is a result.

Nana wants to be special to be loved, but the men around her are all because of her obvious beauty.

In the description of the lover, the painter has determined a special and glorious love, which has the characteristics of a lover, but is no longer an ordinary lover. The lover who is portrayed does not become special because a masterpiece inherits her color and lips.

Until death, Nana did not complete her speciality.

What she was trying to get rid of was a mundane, basic material life that she didn't even know she wanted to get rid of.

She knows very well that there is no way to separate from real life, which we all know very well.

Separation can't be done. Inseparable, painful.

There seems to be no real solution.

There is no real and there is no need to be real.

It doesn't need to be true, correct, these very solid things, life is in the swing of separable and inseparable.

Love cannot be the only fact of life because love cannot always be right.

Go through the wrong, return to life, and arrive at the right. Without reaching, one thinks with the mistakes and limitations of life.

Contingent truths and necessary truths make up life.

"Lend yourself to others, but give yourself to yourself," Montaigne said.

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Extended Reading

Vivre Sa Vie quotes

  • The Philosopher: Do you know anyone who knows right off what he loves? No. When you're 20, you don't know. All you know are bits and pieces. You grasp at experience. At that age, "I love" is a mixture of many things. To be completely at one with what you love takes maturity. That means searching. That's the truth of life.

  • Jeune homme: I'd like to go to the Louvre.

    Nana: No, I don't like looking at paintings.

    Jeune homme: Why? Art and beauty are life!

    Nana: I adore you.