bitter and sweet

Clarabelle 2022-12-10 23:08:37

The first thing to say is that this is a teen drama.

But in this play, there are only brave teenagers but no youthful youth .

Different from the slapstick in domestic youth dramas, they live a hard-core wanton life.

Ten o'clock Junben has no interest in teenage scripts, but I enjoyed this one very much.

The growth path of a confused teenager will always inadvertently stir up a little splash in your heart... What's more, it is very cool.

Sixteen-year-old, pale and skinny, Wayne was a bad student in the eyes of outsiders.

Fighting, truancy, ignoring teachers, all the students in the school had to give him three points when they saw him.

School bullies are also considered solid.

But don't be too quick to criticize.

Under his perverse behavior, what was actually wrapped was an exceptionally kind heart.

He was a good son, and his mother abandoned him when he was young.

He was raised by his irascible father, but unfortunately he was bedridden with cancer many years later. Because of the poverty of the family, he could only wait to die.

Wayne, on the other hand, took care of his father's daily life with all his heart, and as a result, his irritable father's heart became much softer.

When he was dying, he regretted that he had not fulfilled his responsibilities as a father and failed to leave a single star for his son.

Wayne is also a good friend.

He protects the weak and cuts a knife for his friends.

For those who provoke him or his friends, let's meet.

Public order and good customs, never heard of it.

Bearing humiliation and bearing the burden does not exist.

With a hammer, Wayne has become a modern Robin Hood who is good at fighting grievances.

If you want to understand Wayne, watching the first scene at the beginning is basically enough.

That's when Wayne picked up ice and smashed the window of a local gangster.

The thug was furious and beat him until his nose was blue and his face was swollen.

After getting up, he picked up the ice cube again without expression, and continued to smash the second fan.

Only the thugs were left shouting scumbags.

In this scene alone, Wayne's upright character with few harsh words is ready to show.

The character stood still, and Ten O'clock began to care about why he did this.

That is to say, why did the pure and kind Wayne not choose to be a good boy in the eyes of adults.

Young people living in the down town of Brackton , near Massachusetts .

Their lives were muddled, and so was the school.

The surrounding people are either low-level people struggling to survive or gangsters who share the same smell.

Landlords also often terrorize unemployed people who can't pay their rent with a large, ferocious dog on a leash.

In a life where there is no love to describe, the young Wayne will inevitably become angular.

Using violence to overcome violence and punish evil and promote good may be his way of proving that he is still worthy of being loved.

So, rather than saying that Wayne didn't choose, it's more that he didn't have a choice.

When his mother left and his father was seriously ill, fisting was the only means for him to protect his rights.

"Wayne" is very anti-educational .

The good-hearted Wayne is forced by circumstances to become merciless.

Neither the school nor the society could help him get back on the right track. Instead, he became more and more violent under this kind of high-pressure tame.

Wayne's image in the play always reminds me of the teenagers in "Trainspotting" and "The Catcher in the Rye".

But literary works are always cruel and cruel. They make teenagers experience betrayal and betrayal, and make them insane in their contradictory inner world.

In contrast, this hardcore funeral drama is much gentler.

Although it made Wayne burn down the past, experienced deceitful prostitutes and unscrupulous contractors.

But it also allows the teenagers to complete a gentle growth with the help of mutual love and tolerance.

In this way, this restricted youth still has some positive energy.

And this positive energy,

It's a little sweet...

But not the sweetness of cane sugar and honey.

Instead, add a spoonful of vanilla syrup-like astringency to the bitter espresso.

Wayne is often expressionless, cold-hearted and taciturn, just like a cool guy.

Until Taimei Daier, a vulgar survivor who lives in this "garbage dump" like him, appeared.

His eyes began to soften, and dimples appeared when the corners of his mouth rose.

It turns out that this drama also has a layer of first love that is gentle and somewhat cute .

Although the mental journey of cool teenager Wayne, or the gags of the supporting characters with novel brain circuits, is charming enough.

But to say the most attractive part of the play, it has to be the bittersweet love between Wayne and Dale .

This love originated from a road trip in the name of the father.

As Wayne's father was dying, he talked about the Pontiac Firebird he wanted to leave to his son but was taken away.

He then passed away in regret and sadness.

And Wayne, who was helpless, was determined to get the car back.

So he found Dale, and in order to fulfill his father's last wish, he rode a motorcycle and set off.

It can be said that there is a lot of trouble and sugar sprinkled along the way.

Our "cool guy" Wayne gets twitchy when shopping for hygiene products for Dale.

After walking around three stores, I panicked under the eyes of the clerk.

last second

next second

Afraid that Daier would be sad, she would leave part of the money to buy her licorice candy she likes to eat.

Will work for her to earn money.

Use violence for her and eliminate violence for her.

Wayne, who originally solved everything with fists, clenched his fists and started dancing awkwardly when facing his rival ...

Cool brother, don't dance awkwardly, we have something to discuss

In the film, Wayne, who is always scarred and scarred, shows a contrasting cuteness because of Dale, which is too eye-catching.

Some small movements in the middle school, some unconscious little eyes.

Even a straight man like Ten O'Clock will be sweetened from time to time.

In this drama with countless dirty words, when I hear I love you , I think everyone will be moved unconsciously.

Who doesn't want a Wayne?

Even the stubborn Dai Er would say after the dance, "I don't want to be without you by my side."

Such a touching story.

But as the plot progresses, the more you understand the characters, the greater the tension of their contrasts.

It turns out that the mean and cynical Dale used to be a good student.

She wants to be admitted to a good university, to run for student council president, and even to please everyone.

But we all know that the results backfired.

Even the only mother who supported her passed away in an accident.

In order not to let the tears flow, she could only jump into the swimming pool and cry silently.

There are others who have had the same experience as her.

After they emerged from the haze, they slowly embraced a surprising new life.

But the people trapped inside gradually turned black and became what they are now.

The teenager in the cocoon-breaking period is sensitive and fragile.

For Wayne and Dale, no one has told them what the future holds.

It is to buy a TV set, an electric toothbrush, and a three-piece suit to live a so-called normal life.

Or do whatever you want, explore, discover, and become an adventurer.

With both spiritual and material shortages, they have become the "Beat Generation" and have no time to even think about the future.

It was not until the appearance of the other party that they gradually became better, and at the same time they also had a future for fantasy.

This is a bit cool, a bit sad, a bit sweet and full of small moving drama.

The growth path of the characters is clearly visible, and the plot is directly promoted without being sloppy.

Wild and energetic when he was young, he could not help but stumble on the journey of adulthood.

Whether it is stubbornly refusing the help of others, but deep in my heart I long for the care of others.

Still unreasonable self-blame and emotional.

The ideal of a teenager is always accompanied by a contradictory inner world.

But they have not been domesticated by adult society in the final analysis, so they can still move forward bravely and scarred.

Perhaps, this is what we call juvenile spirit .

The picture in this article comes from the Internet

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