After watching so much Bresson, the classic pessimistic realism is probably the most intuitive visual and spiritual impact brought by this minimalist shooting technique. The conversion is too capable like ppt, but it is this way that every frame is not afraid of freezing.
Old Bu's protagonist "The Suffering Man" is probably very pure, pure in goodness, and pure in evil. It is probably what Bu is good at by smashing the most extreme side of the world. Many times throughout the film, a certain background is used to freeze the frame, and people's actions are used to promote the originally static picture, the prison bed and the dining table for group dining, the bridge hole at the subway entrance, the door of the baguette shop, these should be quiet things. Just use a simple penetration to live.
The usual process is not important. I am only responsible for telling you the result. The kind that never needs to be gradual and rush the most intuitive contradiction to you. It is completely different from the current crime films. Is fighting so important? How important is it to kill someone? No, not at all, because the sadness you want to express doesn't need to be hidden, I just want to tell you that this is the result! He died and was killed by me, did you see it! This is what I want to express! Just to tell you how sad you are by yelling! Even if I ask my actors to finish their lines with a deadpan expression and no "emotions." Just like the huge spoon that the male protagonist grabbed and held up, the bigger the spoon, the deeper the backlog, and the more you want to break free, and the same is true for us who are in grief.
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