It's a very Japanese style film, shot style and acting style.
It's amazing to be able to maintain such a level in the state of improvisation. And because of this impromptu performance, it makes the first act more realistic.
And the seemingly awkward performance before and after 8 minutes and 10 seconds is actually a very good performance by the actors under the impromptu performance. It can be seen from the performance that the basic skills of stage performance are very solid.
And the layers are very good, and the performance in front of each layer of the camera is handled very delicately. None of the main actors' acting skills are bad.
18 minutes, the camera's lens skills are very professional.
In 27 minutes, Qiushan Yuxi screamed for a minute, very good on the verge of mental breakdown. This professional ability is really impressive. I think praising an actor for being professional is the highest recognition. This actress is professional.
30. 20, Akiyama Pomelo's expression is very good.
At 31 minutes and 30 seconds, the footage from this camera is very good.
It's possible that some of the "mistakes" that appear to have occurred in Act 3 were intentional.
36.20, this one-minute-long state is very tiring, and Qiushan Pomelo's performance is still very professional.
37.10, this transition is very good, the Japanese transition is very delicate.
A benign film production process should be like this. The producer first decides on the proposal, and then decides on the director. The director decides the shooting style and negotiates the script. Actors are selected according to the script, rehearsed, and finally filmed.
38 to 40. It's the causa of the first act.
40. 30, gave a lot of clues and also explained what the first act was.
People who are taller than the sky tend to be unhappy.
At 46.00, the actors appear. Remember, these actors are also actors in the film themselves. Between different lens layers, the layering of the performance is very clear. All are very good actors.
The troublemaker should be brave enough to replace, but only if a better one can be found.
49.30, Longhouse and Akira's character shaping is very successful. The actors have a strong sense of hierarchy.
Actors really need and have the right to request the script to be adjusted to conform to the character logic.
50.07, the actor's entire drunken state and zombie state are also performances, which are very good.
The script of this play within a play is very cunning, it creates a sense of realism in the second act, which is in contrast to the first act, so that the second act will be convinced. Actually the second act is still part of the play.
The way the second act climaxes before the third act begins and the second act ends is very Japanese.
The third act was actually shot and edited by two groups and was actually part of the performance and the film. Due to the addition of the concept of improvisation, the effect presented makes the first act even better.
Improvisation should be true, but justification is given for the improvisation part. There's another cheap-TV documentary-style ending at the end, leaving one still wondering which parts are real and which parts are acting.
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