The first time I went to the Film Festival, it was true, I liked it very much. This film doesn't have many plots, but what makes me amazed is that it depicts the psychological state of my lover after breaking up, which resonates extremely well.
On the beach, the two broke up because there was no emotional connection and no passion, calm and rational. On the way back, Baha covered the eyes of Issa who was driving and almost rushed off the cliff. I think this is the most eye-catching design in the whole article, which perfectly expresses the feeling of suddenly losing countless terrible thoughts after breaking up. After months of struggling to get back to her life in vain, Issa embarks on a journey to find Baha. Even though he may have long understood that retrieving does not change their disharmony and their lack of passion, the act of his retention may simply be a relief from the process of retention. Baha was also enduring torment, only when Issa eagerly told the changes he was going to make in the car and promised the future, he seemed to see through everything and returned to calm. This illusory return of nostalgia disappears when it is concretely realized. It is very unfortunate or fortunate that when Baha lost her heart in the middle of the night and sought to restore it, Issa returned to reason.
In fact, it means that the two have no common language and no intersection, which is a given premise. Both of them are rationally aware of the need to separate, which should be restricted by their emotional state. What is and what should be has always been a difficult proposition. We have seen too many similar examples in our parents, but even if we can understand all this, it is difficult to escape. In reality, most people will alternately experience loss and fragility and rational return after breaking up. If they are eager to save each other at the same time, they are likely to enter a new cycle. Fortunately, the fate of this film makes the rhythm of the two people's vulnerability and rationality just staggered, so that the two people are not tormented by this, and they are low and ideal.
In terms of audio-visual, the mirrors used in the film are exquisite, and a long mirror on the seaside opened up their psychological distance at once. The fantasy of burying the sand succinctly expresses that the inseparability between them is not because of what happened but because of what did not happen. The front and back two paragraphs of Baja's expression long mirror close-up echo delicately. In terms of sound, there are two episodes where the director suddenly amplifies the subtle sounds. For example, when Issa has an involuntary relationship with his lover, the sound level is directly raised and exceeds the limit, which is very harsh and can make people feel Issa's chaotic psychology. condition. The subtle sound of Issa stroking Baha's hair reflects the situation in which they are each concerned and speechless. It is a non-plot and non-genre film, and it cannot be exacted if it is not considered, and the degree of completion is quite good.
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