Fuck the regulations!

Toy 2022-04-20 09:02:25

It took almost half a year to read it. Mainly because I don't like the heroine. I was so impressed by Anne's appearance when I read "Lonely Abyss" as a child. No matter how rough and fast Suranne Jones pretends to walk, she can't cover up the elegance and nobility that she exudes, but Anne is just rich! The memory of reading in the early years is full of Anne Haw Wai's monologue in the emotional whirlpool. Watching the drama makes up for the business and supporting roles, and I am more interested. However, I really didn't see who Anne loved, she was more like looking for a wife. Also, when you're just starting a new business, it's kind of irresponsible to throw away all your globetrotting to repair your emotions, isn't it? Also, got married after mortgaging ancestral property and incurring huge debts? Alas, real people are just so uncute. I want to see the story of her and her new wife reforming the manor and eliminating competitors in the context of the big era. However, that would deviate from the original and the original characters. The episode is in shackles/There are holes in the clothes in some scenes. Anne's nails are not cut/I hate breaking the fourth wall

Jewell 2022-04-19 09:02:44

It's different from the lily dramas I've watched before. Both sides of the lily dramas I've watched before are very pure, like lilies. Liszt here is romantic and pretentious, giving people a completely different impression. Some people will think that it is no different from the big male protagonist, but in fact, there is no absolute separation between men and women in terms of personality. Instead, this is a kind of progress and does not hinder the constraints of gender. Liszt's love and pursuit of life, his bravery in love, and the oppression of himself because of gender, in fact, there is a dialogue between her and her aunt in the third episode. This person cannot be judged by simple purity, but is someone who strives to live out himself. Her object, Ann, is a very pure woman. I especially liked that after Liszt left in the second episode, Ann looked out the window. She could really interpret a woman who fell in love. You can feel it. This is beautiful. In the third episode, her cousin knew about Ann and Liszt. Instead, she felt a sense of release, or she liked the sudden relaxation of her suppressed personality for so many years.