Donnie Yen's version of Ip Man is like an invincible steel warrior, and he adds too many elements of patriotism and national hero labels; The Grandmaster is my favorite movie, and Tony Leung's version of Ip Man is like a Legends are shaped very well, but there is always a sense of estrangement. And Huang Qiusheng's version of Ip Man no longer portrays the image of a patriotic hero, and focuses on restoring an ordinary person with flesh and blood, who knows a little bit of kung fu, an interesting, attractive, flawed and weak traditional Chinese old man image.
This film, at the story level, has a smooth narrative, flowing smoothly and smoothly, without too many ups and downs, but it is full of flavor in the dilution.
In addition, this film is full of Hong Kong flavor, and there are many old Hong Kong people's daily life, which reminds me of the God of the Years Stealing. I think that a film based on the background of the past era and telling the biographies of the characters should not only reflect the torrent and historical changes of the big era, but also show the daily life of ordinary people in the market. Huang Qiusheng's version of Ye Wen, as an action type Movies that touch on both are rare.
To talk about the flaws, one is that the title of the film is not good. It would be more appropriate to call it "Ip Man: The Years of the Xiangjiang" or "Ip Man: The Years of Twilight". The other is the martial arts design, which is much inferior to Donnie Yen's version. However, the yellow version of Ip Man is still an excellent and excellent movie. Of course, I have no intention of touting, the film itself still has elements of many genre films, and the plot is relatively conventional, but in the IP of Ip Man, this version and the Wong Kar Wai version are undoubtedly two distinctive representatives, and they are also the best two. work.
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