After watching this season of "American Gods", you won't know what Odin is going to do without reading the film reviews, and you don't know what the hero and heroine are going to do. The plot develops slowly and is always selling out.
Many of the gods that appeared in the previous episodes are still in isolation, and the plot still fails to connect them to the main line, and even the opposites of Odin, those modern gods, don't know where the focus of their opposition is!
Moreover, it seems that the primitive gods have not been squeezed out of the human spirit. Human beings have so many primitive bottom-level activities every day, which are enough to worship them. There is no need to fight the old gods and the new gods.
However, if you start thinking according to the setting of this drama, you can still open your mind! First of all, there are still many old Chinese gods in Taiwan, but because of the small population, the gods are competing with each other for the limited population that can be sacrificed, so Taiwan is so chaotic now. This continues, the history of humiliation in modern China is actually the struggle between the outer god and the inner god!
After the modern Japanese gods sacrificed all Japanese human beings, they began to conquer Asia and compete for believers! So the war of aggression broke out! For this reason, my Chinese gods have sacrificed a lot and I can't beat them at all. Later, I relied on the rise of the new red gods to win!
But in the end, all the old gods in China were sacrificed by Chairman Mao in the 1960s, leaving only a few harmless little gods who were forgiven by Chairman Mao and survived to this day (such as Guan Gong). Chinese society and forget those old Chinese gods. I feel that there are new ideas for future anti-Japanese dramas! Which director asked me to write the script?
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