Fat and flying Japanese films, everything is said. Food, rivers and lakes, lust and kitsch, several shots are frightened by the jumping of the story.
The noble man and his woman used food foreplay to have sex, the live shrimp was placed on the belly and covered with a transparent bowl, the egg yolks were alternately mouth to mouth, and the noble man told the woman about the skills of catching boar and cooking before his death. Instigated the illusion that the woman cooked him to eat.
Then there is a little fisherwoman by the sea digging oysters, her black hair and white shirt are soaked, and her nipples are clearly visible. The noble man and her were begging for oysters, and accidentally cut their lips. The fisherwoman looked lost, took the oysters, scraped them with a knife, and handed the meat in the palm of her hand. The blood on the lips dripped into the oysters, and the fisherwoman leaned over to lick it clean with her lips.
There was another gang fight, and they poured into the grass to shake hands and make peace.
The camera followed the woman's eyes and saw the man's changing underwear paused and carefully put away. The camera follows the man's eyes and sees the pink underwear hanging in the bathroom absent-mindedly, burying his head in the bathtub. He took the woman's comb, smelled it, and took off a few hairs before combing it.
The happy part is joyous and unreasonable, and when it is poetic, it is as beautiful as butterfly wings, but it has an extremely uncomfortable edge, such as the eyes of the pig's head and the strange uncle ice cream.
At the end of the rolling subtitles, the background is the baby sucking the mother's breast, the camera is getting closer.
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