First of all, I'm not disappointed when I watch this for cyberpunk; a warrior kills a dragon and becomes a dragon, maybe a warrior is a dragon; love is the most vicious hate in the world, and things change between polarities, such as the narration in the film A little discussion of war and peace. The spliced human stories of brother and sister's childhood foreshadow fragmented relationships and endings; one can see that the net is very large, and discussions of seeking and letting go, memory, death, religion and belief, machinery and human nature attempt to discuss, which are numerous and scattered The cohesion of the core of the story; it is ironic to commit suicide in order to live better; marriage is to destroy each other; it will be immersed when you see the middle and rear parts. But the immersion comes from the charisma of the characters, not the story. Personal opinion: I hate open endings more and more. The optimist's "simply believe" is irresponsible, and the beauty of self-deception is crueler than cruel; while in the eyes of pessimists, they hope for the good, but they know the bad. Injury: embarrassing American humor, the male protagonist's slightly naive emotional line, the motives of the sister and the female protagonist - the story seems to be reversed for the sake of reversal, the balance of combat power and evaluation before and after the Star Warrior, and the rhythm of some content is disorganized and procrastinated. . (such as Wu's flashback, such as the image arrangement of the heroine's family)
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