This is a story that would be considered cliche.
The three lines are interspersed, and you don't need to guess how to steadily push to the climax.
Overall very similar to the Wallflower Juvenile.
There is always a dark cloud over everyone's head. In real life, our troubles are often the same as those in the film, such as sex, family, death, and unavoidable problems.
There are always some people who have passed through the difficulties and will show a condescending attitude to those who are suffering.
Even, if the so-called vulgar stories like this film can touch you, then you are the audience of Guo Jingming's works.
How much grief does it have to be to become a river against the current?
The protagonist likes to describe the daily life of individuals, and the material comes from himself and the people around him, and in a frivolous and mocking way, he tries to show the huge nihilistic tragedy behind these stories.
And he can only do that, because apparently at the time of writing the first book, he was just a man with unhappy parents whose true love was only across the street and who lived as a fringe literary classmate at school. His world is very narrow, and all he can do is to keep digging out a life centered on himself, and discover the ordinary and sad community life in it that deserves to be presented as a story.
The nightmare that haunts the protagonist's life is caused either by his initiative or by his passiveness.
Drawing on the creations of people around you is more appealing and powerful. Before that there is a premise that the creator must put himself above his life and look at everything from a more holistic and caustic perspective, which will confront him with the inevitable fact that he will become his lynchpin. Destroyer on the soil to survive.
Entering the room is like this, American lovers are like this, burning others as the core wire to promote the gorgeous short-lived sparks, and finally let themselves fall into the cold darkness.
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