However, in this film, she is obviously the other extreme, coquettish and cold.
Sometimes, when I see an actress who has transformed too much, I will always sigh unconsciously at the elusiveness of the creature like a woman. Thinking about it further, the top masters are all hidden in the city, so the people around...
hehe. Back to the movie. I think structurally, it's not very rigorous and pretty. If you want to highlight the theme of gold's revenge, and echo the hard work in prison and the deliberate arrangements after being released from prison, then the film will be better.
But the director obviously didn't want to talk about revenge so simply, he wanted to talk about redemption. If it's just revenge, the climax of the movie should be the moment of killing Mr. Bai, but the movie still drags on a lot of time; if it's just revenge, then Jin Zi shouldn't be allowed to find her daughter, and she shouldn't be allowed to do this Cute and lively.
In the last scene, the director compared the gold in black with the daughter in white. Well, in fact, doing so makes the film appear shallower, which I think is a failure.
Another shortcoming is that there are several attempts to be humorous in the film, but they are not very successful, because the theme is relatively heavy, and the director has not yet surpassed these heavy things to a level of light weight.
After watching a few Korean movies, I found that many directors are very talented, but they still lack a little control and courage, and some parts are suspected of being clever. For example, in this film, Jin Zi's performance in the house of his daughter's adoptive parents, I have never understood why it was designed this way, and Jin Zi's heart has changed greatly.
Disagree with one of the above comments: This film is religious. This film is actually anti-religious. For example, the priest sells the gold, and the pistol is painted on the Buddhist scriptures, all of which express this meaning.
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