(It's rare to write an article without spoilers, I don't know if it's a movie review or a nympho article...)
In 2006, I finally watched "Dr. Edward", a movie that had been sleeping on the DVD shelf at home for a long time.
I remember that many of my friends once commented on Gregory Pike when they commented on "so handsome". After summarizing it later, it seems that most of these friends have seen Parker's "Empty Valley Grass", and this "so handsome" admiration is mostly given to Parker in "Empty Valley Grass". I haven't watched "Empty Valley Grass", I think this probably explains why I liked Parker a lot before (as if the only Parker movie I've watched seriously is "Roman Holiday"), but I don't particularly think about him. handsome. But after watching "Dr. Edward", I finally understood, because the deepest impression on me from this film is not the terrifying atmosphere created by Hitchcock, nor the bizarre dream depicted by Dalí, but the reality of Parker. The lady is handsome. Later, I checked Parker's film chronology and found that "Empty Valley Grass" and "Dr. Edward" were both shot in 1945, while "Roman Holiday" was shot in 1953, eight years later. Eight years later, Pike looks more mature, a little more vicissitudes, a little more sophisticated, and a little more slick - not necessarily a good thing, and Pike finally got it in "To Kill a Mockingbird" many years later. Oscar's - just not the 1945 Pike anymore.
After Pike, let's talk about Ingrid Bergman. When I was answering the most beautiful actress in my mind, I hesitated to vote for Audrey Hepburn from abroad, while I voted for Audrey Hepburn in "Hell's Angels" (in 1996). Zhang Keyi). Although Hepburn was naturally beautiful, picturesque and noble, it is not impossible to say that she is the most beautiful, but the foreign actress that I like most in my mind is Ingrid Bergman after all. Bergman's body is such a perfect blend of tenderness and strength, sadness and splendor, sincerity and contradiction; on Bergman's face, passion and perseverance are always so vividly blooming. Bergman unreservedly endowed her role with these qualities: because of Bergman, I saw Ilsa who was the most struggling, confused and helpless, I saw Constance who was the smartest, most determined and fearless, and I saw the most deeply buried love. Alicia, who suffered the most and hurt the most (I didn't like Cary Grant very much at first, but after watching "Beauty's Trick", my affection surged. For the innocent sacrifice between Devlin and Alicia, I watched the feelings that were affected by trust and trust), I saw Anastasia, who was both true and false, and who had been dazedly pursuing it, but finally gave up quietly and resolutely.
Finally, when it comes to Anastasia, of course, Uber can't be ignored. Uber made me really understand and feel the word "cool". When I was a child, a friend once said fascinatedly that the best annotation for the word "cool" is the look in Doctor Sima's eyes when looking back at him in "Looking Back and Seeing Him Again"; and in my heart, "cool" will always be the special character in "True and False Princess". Brynner. His sharp eyes, his direct words, his ability to control the situation, his hidden feelings, and his composure through the vicissitudes of life, all together, it is a clear word for "cool" - or, according to Anastasia In other words, it is a strong cup of vodka, sharp, hard, quick. It is no wonder that 10 million pounds can't keep Anastasia. . .
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