My mother was waiting for me outside the door, but I was trapped in the gang fight and couldn't escape. The evil boss was the evil English teacher in my memory. When I woke up in a daze, I felt inexplicable. I really can't find the reason, I can only blame me for choosing the time before going to bed to finish watching "Underworld".
I watched the length of the mainland version the night before, and yesterday I was in a daze all day thinking about how it would end. Lao Du is still a high school chess player. After a day of psychological construction, I was frightened by the ending. Otherwise, I wouldn't have had nightmares after watching it for ten minutes yesterday. "A Thousand Miles Riding Alone" is not bad, but I don't like reading the front and guessing the back, and the plot is full of too many coincidences. Lao Du has such ability, and people naturally accept that things are like this and they can only be like this. Maybe I'm really bloodthirsty, but I want to applaud Lao Du's decisiveness. What I'm afraid of is timidity. The first time I watched "Dancer in the Darkness" was in winter. After watching it, I felt that my whole heart was frozen, and I couldn't eat dinner. I can't even eat while watching "With You", but I'm angry. Back then, the free-spirited director disappeared from the world. It does not mean that the selection of the right material is a good film. It cannot be said that Comrade Lu Chuan has made a masterpiece because he worked hard. The same problem is also encountered in "With You" and "A Thousand Miles". It's better to watch "Tell the People's Own Stories" for comfort. It seems that it is still "easy to draw ghosts". The characters in Lao Du and Feng Trier's films are not easy to see (like I can only see them in dreams), but the naked human nature is moving. Given that a certain comrade has also failed to draw ghosts recently, I just hope "I hope you will understand where to go".
Comrade Du's casting vision is equally ruthless. From Wu Zhenyu in the past to Leung Ka Fai today, although he shattered the good man image of Ren Dahua, who was cultivated by me watching TV dramas and gossip, I have to admit that this is a stroke of genius. The favorite Gu Tianle was also trained by Director Du to be decent. The most successful part of "Thousand Miles" is also the casting, especially the several supporting roles are very pleasant. The casting failure of "The Promise" is better than the story. Xiao Xie can't handle this perverted role. I can't help but wonder what it would be like to be replaced by brother Wu Zhenyu. I fell in love with the perverted home after watching "The Witch with White Hair". Brother Wu, if he came to play, the steamed buns should also be forgiven. And Cecilia Cheung's thin body makes people sigh that standing on the top of the imperial city in the strong wind is not a miracle, and the uncomfortable strength when she shows her charm reminds me of the online entertainment record that she "lives in the body of a big girl from Northeast China. The soul of "true is not false. It's a pity that Lin Qingxia Lin's sister has retired honorably. I even thought that it might be better to use Fan Bingbing.
The film's successful soundtrack also deserves a major credit. Especially watching the process of "passing the stick" in the soundtrack is as enjoyable as watching tango, and it complements the rhythm of the film. Watching "Thousand Miles" with almost no soundtrack in the theater at 3 o'clock in the middle of the night, there is a trace of embarrassment lurking in the silence. The soundtrack of "Promise" is as grand and soulless as the film.
The lines are also often admirable and hard to think about, especially Lin Xue, who is still just as cute. It's not worth it for me to wait so long, I can only admit that watching it in the cinema is not as exciting as the offline one. Of course, when the original version of "Underworld" will be played in the theater, I will definitely support it, I'm afraid it will be like my "evil". Dreams" are impossible to achieve.
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