Nietzsche's Horse of Turin

Chance 2022-03-30 09:01:12

"The Horse of Turin" is a typical formalist (abstract) film. There are few lines in the film and the pace is slow. This is a "God is dead" (Nietzschean) story. Director Bella Tal reversed God's six-day creation, which seemed to show a story of extinction.

On the fifth day, when the light went out and could not be lit at all, it was God's death. Perhaps, it doesn't matter that God dies, only the origin of the artificial world (the ultimate ontology in ontology) dies. The story of the seventh day did not unfold. Perhaps it corresponds to the opening of the seventh seal in the Bible. The coming of the judgment at the end of the day is the destruction of the world. In my opinion, the world in the film may be regarded as the ultimate source of nothingness, from nothingness, and finally to nothingness.

According to Nietzsche's thought, the father and daughter in the movie can actually be regarded as the children of God. They do not know or accept that "God is dead", and are disciplined by "God" to become decadent last man, the will to power (will to life) breath was suppressed. The daughter recites the Bible and looks up to God reverently. But "God" was silent and did not trigger any miracles. They were still trapped in the wasteland, unable to escape, until they died.

Contemporary philosopher Jacques Rancière and American art critic Susan Sontag both think Bella Tarr's films are "happy". But many people think that his films are full of nothingness and pessimism. I agree with the former statement. At least this is the case. The spiritual core of The Horse of Turin is Nietzschean, not pessimistic. Nietzsche was influenced by Schopenhauer's pessimism in the early days, but only absorbed Schopenhauer's voluntarism, but the spirit is the opposite of pessimism, which is a positive Dionysian spirit. Later, Nietzsche rejected even voluntarism, wanting to kill the noumenon of the will (will is the origin of the world) that he advocated earlier, and then proposed that "God is dead" ("God" is the origin of all types of the world). Corresponding to the movie, it is the six-day extinction that reverses the six-day creation of God, and the lights go out to symbolize that God is dead. In Nietzsche's philosophy, only the death of God is the complete spiritual liberation and the possibility of "superman". The reason why Nietzsche cried for the Torino horse who was beaten and abused was because he saw himself in the Turin horse, and saw the self persecuted by the last people invisibly. The Turin horse in the movie, who insists on not drinking or eating, is the incarnation of Nietzsche. He is using the superhuman philosophy to fight against the reality of nothingness. Such Nietzsche felt happy, so before he died, he said to his sister: "Elizabeth, why are you crying? Are we not happy?"

Yes, Nietzsche lived life as a tragic art like the Horse of Turin. They are tough, proud, unyielding, stupid and miserable in the eyes of the last man, but they are actually extremely happy - able to experience the test of eternal reincarnation (life repeats countless times and still love life). This is the ultimate romance! "The Horse of Turin" is actually a beautiful and sublime tragedy of contemporary nihilism!

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Extended Reading

The Turin Horse quotes

  • Narrator: In Turin on the 3rd of January 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert, perhaps to take a stroll, perhaps to go by the post office to collect his mail. Not far from him, the driver of a hansome cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver - Giuseppe? Carlo? Ettore? - loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene caused by the driver, by this time foaming at the mouth with rage. For the solidly built and full-moustached gentleman suddenly jumps up to the cab and throws his arms around the horse's neck, sobbing. His landlord takes him home, he lies motionless and silent for two days on a divan until he mutters the obligatory last words "Mutter, ich bin dumm!" and lives for another ten years, silent and demented, under the care of his mother and sisters. We do not know what happened to the horse.

  • Bernhard: Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid, on the contrary, it's about man's own judgment over his own self, which of course God has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither God nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither God nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.