Youth, idols, romantic comedies, song and dance, fantasy, moving movies are full of joy

Max 2021-11-14 08:01:23

Very classic, perfect, excellent, good-looking youth, idols, romantic comedies, singing and dancing, fantasy, moving movies are full of joy, and there are animations and magic in them, bringing real people to the animation world in the paintings. This movie tells In 1910, in Edwardian London, the old nanny had to leave the job because of the children’s naughty things. After the children’s father came back, the children’s mother explained the matter. The father decided to change to a new nanny, but the children Like finding a suitable nanny for himself, but being rejected by his father, his father recruits a nanny. Soon, a bunch of babysitters came, but the children didn't like it. Later, a gust of wind blew them away. Suddenly, a beautiful, beautiful young nanny Mary Poppins came down from the sky with an umbrella, which met the requirements of the children and was liked by the girl, but the boy did not like her, but then the boy gradually liked it. Mary Poppins taught the children to use magic to clean up the room, and used magic to bring the children to the animation world of a painting to make the children feel happy. The children sang a lullaby to help the children when they couldn’t sleep, but made the father feel dissatisfied. Burden, but Mary Poppins solved the problem with sadness turned into a happy song. Finally Mary Poppins had to leave. The children did not want her to go. At this time Mary Poppins was also reluctant to leave the children, but there was no way. Although Mary Poppins, she left a happy ending for everyone.

View more about Mary Poppins reviews

Extended Reading

Mary Poppins quotes

  • Horseman: [saluting] View halloo!

    Horse: [also saluting] Oh, yes, definitely. A view halloo.

    Fox: View halloo?

    [the horseman blows his bugle and the others pursue the fox]

    Fox: Faith and begora, 'tis them Redcoats again!

  • Jane: Oh, Bert, we're so frightened.

    Bert: Now, now, don't take on so. Bert will take care of you. Like I was your father. Now, who's after you?

    Jane: Father is.

    Bert: What?

    Michael: He brought us to see his bank.

    Jane: I don't know what we did, but it must have been something dreadful.

    Michael: He sent the police after us, and the army, and everything.

    Jane: Michael, don't exaggerate.

    Bert: Well now, there must be some mistake. Your dad's a fine gentleman and he loves you.

    Jane: I don't think so. You should have seen the look on his face.

    Michael: He doesn't like us at all.

    Bert: Well now, that don't seem likely, does it?

    Jane: It's true.

    Bert: Let's sit down. You know, begging your pardon, but the one my heart goes out to is your father. There he is, in that cold heartless bank day after day, hammed in by mounds of cold heartless money. I don't like to see any living thing caged up.

    Jane: Father in a cage?

    Bert: They makes cages of all sizes and shapes, you know. Bank-shaped, some of them, carpets and all.

    Jane: Father's not in trouble. We are.

    Bert: Oh. Sure about that, are you? Look at it this way. You've got your mother to look after you and Mary Poppins and Constable Jones and me. Who looks after your father? Tell me that. When something terrible happens, what does he do? Fends for himself, he does. Who does he tell about it? No one. Don't blab his troubles at home. He just pushes on at his job, uncomplaining and alone and silent.

    Michael: He's not very silent.

    Jane: Michael, be quiet. Bert, do you think father really needs our help?

    Bert: Well, it's not my place to say. I only observe that a father can always do with a bit of help. Come on, I'll take you home.