This film, among the works of its kind, is quite good. The tone of the whole film is very enjoyable to grasp. The tone of light blue, the distant clouds, and the vast fog give people a visual experience that is both quiet and fox-like. In particular, the extensive use of backlit shooting in the film, as well as those classic long shots, played a wonderful role in promoting the progress of the storyline. Therefore, I say that this film is successful, not only because of its script, but also because of the director's overall design and grasp of the filming. The rhythm and structure of the film are very good, and it is very enjoyable to watch. It makes people feel that they are not tired of watching it, and they want to watch it after watching it. This is the charm.
The music of "A Chinese Ghost Story" is also very appropriate. Faint, almost melodious, the sound takes on a linear character, propelling into the distance at a uniform speed. This lyrical method will not be suppressed in the introverted, and will not be out of control in the relaxation, and it is very closely integrated with the picture. It is also a charm to bring the audience a consistent audio-visual spiritual enjoyment.
Then there is the good image of the characters, the actors and actresses are very attractive, whether it is Ning Caichen or Nie Xiaoqian, the styling is very classic. As a result, when watching other films, there is often an illusion that the "people" in Love between Humans and Ghosts should have the face shape of Ning Caichen, and the "ghost" should have the face shape of Nie Xiaoqian. This effect is unconscious and subtle, or it can be said that a film can achieve such an effect, which is also a charm.
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