It's still annoying to be tortured by "off-key high notes" from time to time for an hour and a half...
While watching the movie I wondered, what is real for rich people. Is it the illusory illusion created by the people around him? Or did he read the vitriolic comment the moment he opened the paper? Or even if the audience expresses their love for him in a way not imagined by the heroine?
For stClair, does he love the heroine's money or people? In the first half, I even thought that the male protagonist was a group performance hired by the female protagonist (taking a taxi home in the middle of the night to the place of the woman he really liked), but he performed so perfectly, and carefully maintained a perfect world. Mistress.
Perhaps from a mundane point of view, the heroine's singing voice is really harsh, and after listening to it many times during the whole process, it is indeed not so beautiful. So it's hard for me to imagine that Florence was the most popular female singer at the time when the last subtitles came out - and it all seems to be true - the world of rich people is really powerful, and if you want to have a recital, you can You can do solo concerts, you can hire groups, you can record records if you want, and you can have them on the radio all weekend. His own discernment? Maybe that's not something the director wants to consider. Maybe she really loves music, I can't tell.
It's just that such a false world is too expensive to maintain. No matter what the heroine's pursuit of art is, she will lose to reality in the end, which is a pity. After 50 years of syphilis, maybe it was the music (and money) that kept her going to the end.
After complaining, I have to say that the British uncle is really a gentleman even with a wrinkled face.
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