When thinking of love, people always think of some beautiful things, even luxury - but love is never transferred by wealth and poverty, the only important thing may be love itself.
Unfortunately, the lovers on the new bridge did not give me a sense of stability at the end. It's not that I think love should be stable, but I think that such love is based on selfish deception.
Of course, love inevitably degenerates into a degree of selfishness at times, but Alex was never the right love partner. He is more suitable for living in the rough, the bridge is his home, and he cannot leave this home. Michel, however, was outside the bridge. As she said to Alex, "I can't see the horizon because my eyesight is so bad, and you're just staring at your feet" - and further deterioration of her vision is due to him.
So he's been in a state of unstable suspicion, because he knows that Michel will leave him one day, so he will deliberately and unintentionally hinder something from happening - even if it can make her happier. For example, running in front of her to drive away her lost former lover, quietly putting the money at her feet and letting her kick her under the bridge and confessing to him, destroying the poster looking for her, and even disregarding the loss of her sight. opportunity. . .
All in all, he just couldn't bear to give up on her. This is a sad and hateful man. His reluctance to give up love is pitiful, and his selfishness is disgusting - although he can also pay for this love.
In his mind, the end of her nightmare was the beginning of his nightmare.
Karax used some extreme camera language and seemingly classic lines, but showed an ambiguous attitude and was a little disappointed.
But I really liked the old man on the bridge who had seen the gates for 30 years, so he had the keys to the gates everywhere , represents the indelible romance of the French even if time passes.
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