First of all, most people think that the tuner died in the end. Why, there are many details. To sum it up in one sentence - the tuner exposed the fact that he was pretending to be blind. There is no doubt about that. But think about it again, why did the old woman let him in? Because she was afraid of the neighbors' suspicion. But if she kills the tuner, it means that the tuner must not be allowed to go out safely through the main entrance again, which will arouse the suspicion of the neighbors, right? Just imagine, if the tuner is not allowed in, and the tuner has not come out after entering, which would be more suspicious? It must be the latter that feels more strange. The former is a big deal, which is inconvenient to say, while the latter is difficult to explain. Therefore, the old woman let the tuner in to prevent the neighbors from being suspicious. If she didn't let him out, the neighbors would be even more suspicious. In addition, some professionals said that the sound at the beginning was not the sound of gunfire, but the sound of the stage. So, the tuner doesn't die. Second, many people think that the tuner will die. Another consideration is 1. Although the old woman let the tuner in because of the suspicion of the neighbors, she thought that the tuner was blind at this time, and thought that the murder would not be exposed. Later, a series of details let her know that he is not blind, so she must not let him out at this time. 2 After the tuner entered, the old woman locked the door, indicating that she did not intend to let him out. My objection to 1 is that the old woman talked to the tuner at the door for a certain amount of time before letting him in, and noticed that the tuner rang the doorbell. Generally speaking, a blind person may touch the doorbell by groping, which is also reasonable ( for older women). However, he pressed it more than once, and the old woman must have seen it through the cat's eyes when he pressed it for the second and third time (because the old woman's skepticism was the most serious, not to mention that there was a dead person in the house at this time). In other words, before the tuner was put in, the old woman knew that the tuner was pretending to be blind. To put it more bluntly, the old woman was the most scruples of the neighbors at first, and even let people who knew they were false blind come in in order not to be suspicious of the neighbors. So in the end, in order to take care of the neighbors, she would also let the tuner out. The question is, why is an old woman so scruples about her neighbors more than a young man? On the one hand, maybe the neighbor is a policeman (it's unlikely that she is older, that is, someone in the neighbor's house is a policeman) or something similar to the old woman. Occupation that caused a lot of harm, or the neighbor has a grudge against the old woman and has been looking for revenge for the old woman's mistakes, or the neighbor has a special relationship with someone in the old woman's family, such as having an affair with the dead man or something. More likely, what the neighbors knew, some signs and details of the possible death of that man in some old woman's house. On the other hand, an older woman may be more confident in herself because she has Guns may also feel that the tuner is relatively weak, and the physical strength will not be strong or will not reveal the dead. But if the old woman knew that the tuner was pretending to be blind before the tuner came in, why did she have to try everything after she came in? I couldn't figure it out before, but I got inspired. First of all, I've proven that the old woman has more scruples about her neighbors than she has about a tuner. So what should she do after the tuner comes in? She wants the tuner to tend not to reveal his secrets. Let's analyze the psychology of the tuner. Cowardice is one of his hallmarks. What does cowardice mean? It means that he will give up other things to protect himself when it will damage his own interests (especially his own safety), which is also a manifestation of selfishness. Therefore, I think the old woman understands the psychology of the tuner very well, even better than himself. Writing this, I'm a little scared myself. . She wants to tell the tuner, "I know you're pretending, but I let you in anyway, which shows that I have the ability to keep you from revealing my secret." But the old woman didn't want the tuner to know that she was willing to let him in. Go out, this will not deter this cowardly man. Therefore, the old woman wanted to test the tuner, making him feel that he was unfathomable, so that even after he went out, he only dared to "hang up on the air". Likewise, the old woman locking the door is a deterrent. For details, see Stockholm Syndrome. Simply put, a person may turn to protect the person who threatens him, the relationship between the old woman and the dead, and whether the old woman killed the person. First, the old woman cannot be a thief or a stranger who has nothing to do with the family. Because it was obvious that she knew the neighbors. Of course, it cannot be taken for granted that she is the wife of the deceased, and there is no direct evidence to show that. Of course it probably is. It's not necessarily the one who was killed by the old woman, there may also be other people inside when the tuner entered. Judging from the fact that an old woman had no scruples towards a young man, and even tried to intimidate him with psychological tactics, it was more likely that there were other people in the house. In addition, the deceased may not even be killed by homicide. It may be that he fell while climbing the stairs to paint, and when he fell, he held a rivet gun in his hand and fired by accident. If that's the case, the old woman would have little scruples about her neighbors reporting her, because she didn't kill anyone. Therefore, the death of the deceased may cause some kind of distribution of benefits between the neighbors and the old woman, so the old woman has to go to great lengths to hide from her neighbors. To sum up, the main points are as follows: 1. The tuner will not die. 2. The old woman has extraordinary scruples about her neighbors, even greater than letting strangers come in and see the death scene. The source of this scruple is unknown. 3. The old woman's scruples about her neighbors is the most basic consideration for all her actions, and it is also a very important impetus for the development of the story. Another basic clue is the cowardice of the tuner. 4. The relationship between the old woman and the deceased, whether the old woman is a killer, and whether there are other people in the room, these are unknown. (These points are easy to take for granted, but there is no direct evidence)
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