This youth film is relatively stable and restrained. For American youth films, this is actually more difficult. The creative ideas of a type of American youth film are still close to Hollywood blockbusters. The big scene is used as the climax. There is a rebellious person. This rebellious person needs to reconcile in the emotional surrounding at the end. Because of reconciliation, the previous rebelliousness can't be extreme and it seems nondescript. This is a good one, I can feel the director's confidence in restoring the heroine's psychological state, and won't use some simple lazy creative methods and tricks to deal with this rape theme. The scene where the heroine broke out was a little bit later than I thought. I thought she would give a speech in front of everyone like a routine, but no, the director chose to use violent conflict to make this outbreak, which is interesting, and the male also Got a physical punishment, vaguely implying that he was blind. After the outbreak, the story ended quickly. The first half of the story was about showing the heroine's mental journey. Ordinary movies would not do this with this subject matter, because most people don't have enough to tell, and they don't have the ability to show enough. In the life scene of credibility, they can only put a story frame into it, and then start to think about the plot to improve the story frame, which is what Gou Shisan is like. The director showed some interesting scenes, the character setting of two friends, the family plot, the plot of the art teacher (the art teacher is a positive image, but the director still does not hesitate to add some stupid character settings to him) the heroine's broken thoughts Also more interesting. Speaking of the heroine, Kristen Stewart is an actress who is very suitable for making movies. Her temperament is very unique. I didn't really feel much before, but I watched the secret room thriller that she and Jodie Foster made. A temperamental actor is a joy.
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