After I changed my ticket, it turned out to be a standing ticket. I stood on the moving train and took this movie viewing note "Gold Rush": 1. Perhaps, silent films should be in a parallel relationship with sound movies, not a replacement relationship. Unfortunately, when the audience is fed by various elements It’s better for the capital to enter the sound film, just like the rising 3D film, but this replacement also obscures the beauty of silent film: concise and efficient, the director needs to use more shots to let the audience “imaginary reality”; 2. I do not I know how to use light, but the face of "Bread Dance" vividly shows Chaplin's loneliness and bitterness. In fact, in love, who hasn't skipped the bread dance? Just as the barrage floats over "The hypocritical love between men and women has not changed in 100 years", let alone men and women, falling in love with AI is also hypocritical; 3. In the plot, the "gold" of Gold Rush is not only wealth, It is also the "goodness" of human nature. In the process, everyone gradually found "gold", and everyone began to show the "goodness" of human nature. Of course, Chaplin also embraced the beauty, which is gratifying; 4. Some people think that Movies nowadays make people more and more stupid. Although they have reservations, it is really not very clever to find similar behaviors based on whether they like the same commercial film; 5. Let me talk about Chaplin's comedy stalk. Movie History", I know that there are many dramatic characters in the silent film era, and they make good use of editing to achieve comedy effects. From the perspective of 2019, it is similar to the technical flow of Douyin, which relies on editing and transitions to create differences before and after. From the point of view, those masters have carried forward the editing technology, which is a milestone achievement, but compared with Chaplin, it is still a little less soulful. Chaplin is far ahead of others in terms of expressions, body language and the settings of each stalk. Above; 6. After 5, then what about Chaplin's "smile with tears" skill, the noise in the ballroom is the background, and the foreground is Zhuo's abjection; in the new year, waiting for the dancer in the log cabin failed, and went to the ballroom to find her, Zhuo I used the four grids on the window to show the liveliness of the dance hall. I was in the dark corner on the right, as if four TVs in the window were playing Happy New Year, and the homeless man was homeless. He had a cabin, but he lost his beloved. 7. Chaplin jumping wildly in the feathers moved me so much.
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