Pioneer Chanel: The Power of Thought Makes Women

Sigrid 2022-03-20 09:02:19

"Fashion Pioneer Chanel" stills

To be honest, I originally read this film as a fashion biography, but I have to say that its shaping of Chanel’s characters and the collection and release of emotions constitute this word-of-mouth film that has been transformed from fashion into inspirational and romantic films. . Audrey Tatu's performance in the movie is gratifying. She played the distinctive temperament of Chanel in the clichéd days to the fullest. Seeing people have the urge to cry. In the troubled sensual dog Mari Chanel turns the power of thought into a protective cover and a dust film. Firmly and decisively maintain her refined authenticity. In the process of interpreting Chanel, Tatu used her natural cuteness, which is different from the hazy cuteness of her "Amelie" period, but gracefully added confidence and firmness. So as to better demonstrate the noble and extraordinary thinking of Chanel. In the movie, Chanel is not blindly perfect, she is also forced to survive by life. She can be humble in order to survive, and can sing for copper in a messy environment. She is not extremely noble, but no one can deny the extraordinary and tenacity in her eyes. Chanel is undoubtedly inspirational. She dealt with the vulgarities around her without panic, and maintained herself firmly and freely, without getting lost or drifting with the crowd. Her bravery and strength attracted her to Mr.Right, who had the same three views. The most eye-catching stroke in this movie is undoubtedly the love between Chanel and the hero. I always have to take a deep breath every time I look at them. I feel so beautiful. Here I would like to say that we cannot deny the complicated love history and relationships of Chanel in the real world. But in any case, I think what this film expresses is the artistic appreciation of Chanel's general life direction and polishing it. That is to say, the film expresses the part of Chanel's life that the director wants us to see, and beautifies it. This is not a historical film. So we don't have to be mean to the good plot in the movie. Think of Chanel in the movie as an independent female character, not Chanel in real life. In this way, her love with the male protagonist is all sweet and greasy flashes composed of pink bubbles. There is a perfect love between them. It was a touch to my view of love at the time. There is a scene like this: The female lead accompanies the male lead to a dance. The male protagonist accompanies her to the tailor's shop to make skirts. At that time, it was also influenced by the pompous style of the Victorian period, and Chanel's unique minimalist style was modified by the tailor. After several discussions to no avail, Chanel turned to look at the male protagonist at a loss. The male protagonist stood at the door, not too far away, looking at her warmly and tenderly. Chanel felt the power immediately. Resolutely affirm your choice to the tailor. This episode is by far one of my favorite love episodes. Whenever I think of good love, I think of it. It's bland and yet powerful. Love and dreams are the main theme of this film. This amazing fashion film belongs to every woman, to the powerful force in their bodies.

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Extended Reading
  • Christina 2022-03-18 09:01:05

    In this version, Coco is ugly as a weird woman who only knows to wear men's large clothes every day! ! ! ! ! ! !

  • Anais 2022-04-24 07:01:17

    The Chinese translation is taken for granted. Anne Fontaine's narrative angle is all about love, Coco's love for Boy, and Balsan has almost become the opposite. Such a slanted tone makes the audience have the illusion of Coco Bichi, which is not only untrue but also makes the emotional development of the characters lame. In terms of presentation alone, it is quite flat. Her designs and her aesthetics have no reason, they seem to be natural accomplishments. Tatu's eyes are playful, but it's not enough

Coco Before Chanel quotes

  • Étienne Balsan: A woman who cuts her hair, is about to change her life.

  • [last lines]

    [subtitled version of French dialog]

    Adrienne Chanel: Boy had a car accident.

    Gabrielle 'Coco' Chanel: Is he in the hospital?

    Adrienne Chanel: [shakes head 'no']