Classical beauty can always bloom into a delicate sense of coexistence of mystery and absurdity. People's attention and indulgence are all dominated by the principles and passions that burst out of their hearts. The involuntary fate of fate cannot restrain their enjoyment of enjoyment. The pursuit of , so there is a story that people in France are still dressed up to go to the theater. This masterpiece, known as the French version of "Gone with the Wind", has the same vast urban life scene. The heart-wrenching multi-angle love and the years-long design of the upper and lower parts make the plot full and smooth. However, the dramatic movie is also difficult to resist in many details. For example, the Duke knows that he is going to be killed, but still maintains an elegant and noble style and does not call for help. This setting may cause many people in temperament to die.
In order to show the life of the people of Paris in the 19th century, the opening and ending of the film are based on the bustling ordinary life of the whole street: the market in the opening film is very lively, the protagonists meet on this day, and their fate is intertwined into a messy net, the Internet is full of writing The sadness and joy of laughter and tears; the carnival at the end of the film highlights the brokenness and separation of love, and the whole city falls into a frenzy and unreasonable self-healing. The protagonists completely say goodbye to each other on this day, The hustle and bustle of the city drowns out the cries of the heartbroken and devours the catharsis of true emotions. This drama within a drama integrates every drama performance into the portrayal of the characters' souls. The beauty of comparison and mutual appreciation bursts out in pantomime and drama, and the elegant or mediocre audience is watching this movie with satire. The spectators, in the end, could not simply laugh or scold like the children in the seats of heaven.
The "heaven" in this film refers to the worst position in the back seat on the roof. Although the audience here has no money, they can give the actors the most direct feedback when watching the show. They laugh wantonly when they feel happy, and curse when they feel bad. For Baptiste, the male protagonist who sincerely pursues the art of pantomime, it is the force that drives him to forge ahead and the original emotion worthy of his respect; For Shakespeare and other famous masters, who only want to be the greatest drama actor, only the harsh and noble gentlemen and ladies in the upper class can bear his conceited talent and arrogance. The drama on the stage is shown to the audience in heaven, the drama off the stage is shown to the audience outside the screen, and the unique mentality of the Parisians outside the movie is shown to all the human beings all over the world who have suffered from the suffering of World War II.
As the heartthrob in the film, Jia Hangqian is a bit older, but the streamer and elegant temperament in her eyes are fascinating. You can see the fine lines at the corner of her eyes, let alone the smile at the corner of her mouth; you can see the traces of her years, but the graceful figure that is not inferior to that of a young woman is still devilish; you can see that she is homeless and has no support, But you can't ignore her worry-free mentality and free life; you can see her lovingly wandering around three men, but her heart is always on one person. Cruel honesty is like blood on the thorn of a rose, and free will is like the wind that dries the tears of a cloud.
The classical style that can be appreciated, the love story that cannot be appreciated; the elegant conversation that can be accepted, and the incompetent thinking consciousness. There is no moral judgment here, only the excavation of the depths of the soul. The charming under the moonlight first emphasizes dignity, and then respects love. Follow your own heart, the price is to hurt the hearts of innocent people.
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