In fact, the same-sex scene is not the focus, but the potential challenge to the repressive state of some traditional institutions and customs of the old-fashioned Jewish religious community. And one of the supreme spiritual creeds of the church is very important: freedom of choice. In the state of thinking, bewildering, breaking free, and reciprocating, the three young people finally ushered in the freedom of personal choice, which is very positive. As Esti said to Dovid, the gist of it is that I don't have a choice (and I still know how hard it is), but I want my kids to have a choice. Women's self-awareness is quite awakened and bold at this moment. And when she admitted that she asked Ronit to come back for her father's funeral, and her feelings for Ronit have not changed since she was a child, this low-key and quiet female lead really surprised me. The ending is a bit long, not a happy ending, but an infinitely possible ending. Rachel Weisz (Rachel Weisz) and Rachel McAdams (Rachel McAdams) Lily CP is good-looking, but the erotic scene is a bit too much. The director may want to express the long-suppressed love and miss of the heroines, as well as their urgent resistance to religious constraints, but some of them are very light. Whether it is the London suburbs or New York light and shadow, independent women's lives continue to be staged. But how I wish that the lovers of the same heart could not part. "Disobedience" 2017
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