features beautiful women, handsome men, Paul Newman and Elizabeth Taylor, and Tennessee Williams who can tell a story.
This is another of his works after "A Streetcar Named Desire", which is full of desire, depression and struggle.
Among them, the love between husband and wife, the love between father and son, and the love between friends are all intricate, and the portrayal is very exciting and profound.
The son kept drinking because of the death of his friend and broke his leg. His bullish temper made me smile, so extremely like me. The friend he admires is actually a coward, and there is also a homosexual tendency in between.
Paul Newman is so handsome, he's almost as good as Marlon Brando. I've never liked Taylor, but she was wronged here and won my favor.
The black and white films of the 1950s are really good. Start with Citizen Kane, whether it's Soulbreak Blue Bridge, Casablanca, Psycho. . . The charm of black and white is intoxicating. The photographic contrast is strong, while the story is dramatic, the dialogue is good, and the star beauty is eternal, which is worth cherishing.
View more about Cat on a Hot Tin Roof reviews
