What surprised me more was the excellent production of this film.
Watching films has become my new pleasure. From the clips, we can see the hard work and thoughts behind the filmmaking, which gave me a new respect for the film industry.
It's the same this time.
When I watched the movie, I felt that these puppets were very well done and exquisite, with rich expressions and good backgrounds. After watching the clips, I realized that these puppets are all handmade, using high-tech software to control expressions and lines. Sometimes a puppet needs to be operated by several people at the same time.
Paris, Cairo and Bernama are said to have been produced after a lot of research and comparison of finding materials. Every detail is in place and very real-although a lot of funny materials are used, such as cheese grater Make Middle Eastern lanterns, umbrella poles for Latin American satellite antennas, 25-cent coins for team america's belt buckles, etc.
They also made a lot of investigations on Kim Il-jung, and finally they produced the imaginary North Korea. According to them, North Korea is too mysterious and there is very little information. Even if this is the case, do your best.
Of course, this is a non-serious spoof, and necessary exaggeration is inevitable. The two geniuses themselves said that what they produced was the world in the impression of Americans.
It's not just this film. Many American films, large and small films, are very well-made, and the behind-the-scenes work is done very well. This is especially true for films adapted from classic novels, from clothing to furniture to language behavior to the surrounding environment. . . . .
In contrast, domestic films. . . . .
In fact, the main reason I wrote such a film review was because I was thundered by the new version of A Dream of Red Mansions. In contrast, I am speechless. The director and the image designer have never read the original work. What kind of attitude is this?
People treat a funny film with a serious attitude, but our master Ye Dadao Li Dadao treats a serious film with a joking attitude. Sigh!
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